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J.S. Bach

Air, orchestral suite nº3, Johan Sebastian Bach

davidcianorris

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	16	5	6	100%
		25	0	8	3	100%
Violin		14	0	5	8	100%

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

BWV244 O Haupt Voll Blut Und Wunden

doctorandrewtam

0:53	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano amp; Alto		11	0	1	4	100%
Tenor amp; Bass		16	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano amp; Alto		11	0	1	4	100%
Tenor amp; Bass		16	0	2	4	100%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

J.S. Bach - Musikalisches Opfer: Canon a 2 - I (Cancrizans)

Roland Bouman

0:36	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		31	0	12	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		31	0	12	3	100%

61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.

Gertim

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		15	0	2	5	50%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

188. Jesu, der du meine Seele, BWV 78.7.

SDG

0:54	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	3	100%
Tenor/Bass		19	0	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	3	100%
Tenor/Bass		19	0	3	3	100%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		15	0	3	5	100%
		15	0	3	5	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	5	100%
Contrabass		11	0	2	3	50%

8. Der lieben Sonne Licht und Pracht, Schemelli, Bach, choir setting: SATB, BWV 446.

SDG

0:59	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		15	0	2	3	100%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		19	1	4	6	100%
		19	1	4	6	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		19	1	4	6	100%
Contrabass		15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
		18	0	3	2	100%
		18	0	3	2	100%
Soprano/Alto		13	0	2	2	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		11	0	2	2	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		20	0	3	3	100%
		20	0	3	3	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		20	0	3	3	100%
Contrabass		15	0	2	3	54%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
Soprano/Alto		13	0	4	6	100%
Tenor/Bass		24	0	7	6	100%
Contrabass		17	0	6	4	50%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
Alto.		10	0	1	5	100%
Basso.		15	0	4	4	100%
Fagotti.		15	0	4	4	100%
Flauti traversi.		11	0	2	4	100%
Oboi.		11	0	2	4	100%
Organo e Continuo.		15	0	4	4	100%
Soprano.		11	0	2	4	100%
Tenore.		10	0	2	5	100%
Viola		10	0	2	6	100%
Violino I.		11	0	2	4	100%
Violino II.		10	0	1	5	100%
Violone.		15	0	4	4	100%

10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.

SDG

0:37	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
		21	0	5	5	100%
		21	0	5	5	100%
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		15	0	2	3	50%

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