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J.S. Bach

J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"

Roland Bouman

5:52	Est. Play Time
47	Measures
	1,796Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	77%

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.		22	0	8	8	100%
Organo.		22	50	8	5	87%
		28	0	10	3	87%
Fagotto.		28	0	10	3	87%
Organo e Continuo.		28	0	10	3	87%
Violone.		28	0	10	3	87%
Viola.		17	0	6	4	76%
Violino I.		21	0	6	3	76%
Violino II.		21	0	6	3	76%
Flauto traverso II.		18	0	5	2	70%
Soprano.		16	0	6	7	61%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.

Samuel Ricke

2:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		25	14	9	9	99%
		24	0	9	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		25	14	9	9	99%
		24	0	9	7	100%
Continuo.		24	0	9	7	100%
Tenore.		18	0	7	6	100%
Soprano.		18	0	7	5	98%
Bass		21	0	7	6	93%
Violone.		21	0	8	7	93%
Alto		11	0	5	6	52%

Bach Cello Suite No. 1 in G Major For Guitar

synthmusic

2:48	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	1	11	3	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	1	11	3	93%

J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei

Samuel Ricke

6:26	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		22	88	10	6	100%
		22	0	9	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		22	88	10	6	100%
		22	0	9	3	100%
Continuo.		22	0	9	3	100%
Violino I.II.		27	0	9	4	100%
Violone.		22	0	9	3	100%
Alto.		18	0	6	6	69%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
Violoncello.		28	0	9	3	100%
Violone.		28	0	9	3	100%
Cornetto.		13	0	4	8	89%
Soprano.		13	0	4	6	89%
Alto.		14	0	5	7	83%
Trombone I.		14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
Fagotto.		23	0	10	6	100%
Oboe I.		18	0	7	10	100%
Oboe II.		17	0	5	5	100%
Oboe III.		13	0	4	5	100%
Viola.		17	0	7	7	100%
Violino I.		19	0	5	7	100%
Violino II.		16	0	6	5	100%
Violino piccolo.		23	0	9	9	100%
Violoncello.		22	0	10	6	100%
Violone.		22	2	10	6	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
Continuo.		17	0	4	4	100%
Violino I.II.		20	5	6	4	100%
Violone.		17	0	4	4	100%
Tenore.		13	0	4	6	62%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
Mellophone 3		11	0	2	6	100%
Trombone		25	0	8	3	100%

Prelude in D Minor

Shoichi

1:35	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	2	12	3	52%

Three-Part Invention no.7

Kuhey

2:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	0	7	6	97%
		30	0	10	6	55%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	0	7	6	97%
		30	0	10	6	55%
Piccolo		19	0	6	6	94%
Pan Flute		26	0	7	6	53%
Bassoon		30	0	10	6	50%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VI.

Samuel Ricke

2:27	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	31	7	4	99%
		21	0	5	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	31	7	4	99%
		21	0	5	3	100%
Continuo.		21	0	5	3	100%
Violone.		21	0	5	3	100%
Soprano.		17	0	5	4	84%
Tenore.		15	0	5	4	79%

117. Gott lebet noch. BWV 320.

SDG

1:29	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		19	0	3	4	100%
Contrabass		13	0	1	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	5	100%
Tenor/Bass		19	0	3	4	100%
Contrabass		13	0	1	4	50%

J.S. Bach: Magnificat in D Major, BWV 243 - XI. Sicut locutus

Samuel Ricke

1:46	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
Fagotti.		15	0	2	5	98%
Organo e Continuo.		15	0	2	5	98%
Violone.		15	0	2	5	98%
Tenore.		11	0	1	5	87%
Alto.		11	0	1	5	79%
Basso.		13	0	2	5	79%
Soprano II.		11	0	1	6	77%
Soprano I.		13	0	2	5	62%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	1	6	5	100%
Tenore.		15	0	3	5	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	1	6	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		11	0	1	4	98%
Oboe II.		10	0	1	4	98%
Violino II.		11	0	1	4	98%
Flauto traverso I.II.		14	0	3	5	93%
Oboe I.		14	0	3	5	93%
Soprano I.II.		14	0	3	5	93%
Violino I.		14	0	3	5	93%
Violone.		21	0	6	5	93%
Basso.		19	0	6	4	91%
Fagotti.		21	0	6	5	91%
Tromba I.		9	0	1	4	43%
Tromba II.		8	0	1	4	30%
Timpani.		2	0	0	4	22%
Tromba III.		11	0	1	4	22%

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