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Unique Accidentals: 2

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J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod
Samuel Ricke
3:00 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
Continuo. Bass 24 0 8 5 97%
Violone Bass 24 0 8 5 97%
Evangelist. 16 0 6 4 79%
Violino
I.		 Treble 15 0 5 6 69%
Treble 18 0 5 5 67%
Viola. 18 0 5 6 69%
Basso. Bass 17 0 5 4 63%
Alto. 13 0 4 3 42%
Bassoon Bass 21 0 6 4 42%
Soprano. 13 0 5 2 39%
Flauto
traverso
II.		 Treble 12 0 2 3 29%
Oboe
II.		 Treble 13 0 2 3 29%
Flauto
traverso
I.		 Treble 12 0 1 3 26%
Oboe
I.		 Treble 12 0 1 3 26%
 
J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer
Samuel Ricke
0:38 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
Continuo. Bass 9 0 2 1 89%
Evangelist. 11 0 2 3 89%
Violone. Bass 9 0 2 1 89%
Judas. Bass 8 0 1 2 33%
 
BWV244 O Haupt Voll Blut Und Wunden
doctorandrewtam
0:53 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
amp;
Alto		 Treble 11 0 1 4 100%
Tenor
amp;
Bass		 Bass 16 0 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
amp;
Alto		 Treble 11 0 1 4 100%
Tenor
amp;
Bass		 Bass 16 0 2 4 100%
 
J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise
Samuel Ricke
10:40 Est. Play
Time
125 Measures
1,414Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
Oboe
I.		 Treble 19 0 4 9 72%
Viola. 18 0 4 7 49%
Violino
I.		 Treble 21 0 3 9 49%
Violino
II.		 Treble 19 0 4 8 49%
Violoncello. Bass 19 0 3 5 49%
Violone. Bass 19 0 3 5 49%
Corno
I.		 Treble 10 0 1 8 48%
Corno
II.		 Treble 8 0 0 8 46%
Fagotto. Bass 21 0 5 5 45%
Oboe
II.		 Treble 12 0 2 7 45%
Oboe
III.		 Treble 9 0 1 7 21%
Violino
piccolo.		 Treble 13 0 2 9 21%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.
Gertim
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
 
Air on the G String
Baconator NoVeg
4:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
Mellophone
3		 Treble 11 0 2 6 100%
Trombone Bass 25 0 8 3 100%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 15 0 2 5 50%