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BSG
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))
BSG
6:33 Est. Play
Time
115 Measures
1,296Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 27 2 10 8 97%
Bass 36 0 13 6 92%
Bass 26 0 10 6 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 27 2 10 8 97%
Bass 36 0 13 6 92%
Bass 26 0 10 6 58%
 
C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)
BSG
4:55 Est. Play
Time
104 Measures
1,402Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
Bass 13 6 2 6 100%
Voice Treble 10 0 0 6 75%
Bass 10 0 0 6 75%
Bass
Trombone		 Bass 16 0 2 5 25%
Descant Treble 10 0 0 5 25%
 
J. S. Bach: Ich elender Mensch (BWV 48, #1)
BSG
6:54 Est. Play
Time
139 Measures
2,205Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
Viola 21 0 8 4 92%
Violin
1		 Treble 27 0 9 4 92%
Violin
2		 Treble 19 0 6 4 92%
Soprano Treble 19 0 6 6 52%
Tenor Treble 20 0 7 5 51%
Alto Treble 19 0 6 6 48%
Bass Bass 18 0 6 6 47%
C
Trumpet		 Treble 9 0 1 5 31%
2
Oboi		 Treble 9 0 2 5 30%
 
J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)
BSG
7:28 Est. Play
Time
113 Measures
1,717Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
Strings Treble 20 0 7 6 97%
Tenor Treble 18 0 5 8 73%
Chorale Soprano Treble 9 0 1 4 32%
 
J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)
BSG
3:56 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
Bass Bass 20 0 7 5 91%
Tenor Treble 17 0 6 6 90%
Soprano Treble 17 0 6 5 88%
Alto Treble 17 0 6 5 82%
 
J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)
BSG
3:33 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
Realization Treble 23 57 9 8 99%
Alto Treble 18 0 7 7 83%
Tenor Treble 18 0 6 6 83%
 
J. S. Bach: Wir müssen durch viel Trübsal in das Reich Gottes eingehen (BWV 146, #2)
BSG
6:31 Est. Play
Time
87 Measures
2,959Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 9 3 100%
Pedal Bass 25 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 9 3 100%
Pedal Bass 25 0 9 3 100%
Vcl/Cb Bass 25 0 9 3 100%
Viola 23 0 8 4 100%
Vn
1		 Treble 28 0 11 8 100%
Vn
2		 Treble 22 0 8 4 100%
Alto Treble 20 0 8 6 98%
Soprano Treble 18 0 7 7 98%
Tenor Treble 19 0 8 6 97%
Bass Bass 21 0 8 6 94%
Organ Treble 33 4 13 12 72%
 
J.S. Bach: Sinfonia from "Geist und Seele wird verwirret", BWV 35
BSG
7:28 Est. Play
Time
132 Measures
3,176Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
Violoncello Contrabasso Bass 29 0 12 6 100%
Violin
1		 Treble 30 0 12 7 86%
Organo Obbligato Treble 26 0 10 7 86%
Oboe
1		 Treble 28 0 11 7 85%
Viola 27 0 10 6 85%
Oboe
2		 Treble 25 0 10 7 83%
Violin
2		 Treble 30 0 12 7 83%
Taille 25 0 9 6 80%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%
 
J. S. Bach: Kyrie I (Missa H-moll, BWV 232)
BSG
10:12 Est. Play
Time
127 Measures
3,611Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
Vcl/Cb Bass 27 0 9 7 100%
Ob.
da
Cacc.		 Treble 25 2 10 7 98%
Flute Treble 22 1 9 7 90%
Bassoon Bass 24 0 8 7 88%
Viola 26 0 10 6 88%
Violin
2		 Treble 25 0 11 7 85%
Violin
1		 Treble 24 0 8 7 84%
Tenor Treble 19 0 7 6 72%
Alto Treble 21 0 8 6 67%
Bass Bass 21 0 8 7 62%
Soprano
1		 Treble 22 0 8 6 61%
Soprano
2		 Treble 20 3 8 6 53%
Church
Organ		 Bass 10 0 4 3 2%
 
J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1
BSG
4:58 Est. Play
Time
74 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
Violin
2		 Treble 20 0 6 5 89%
Viola 23 0 8 5 88%
Violin
1		 Treble 20 0 7 6 86%
Alto Treble 16 0 6 5 85%
Bass Bass 18 0 6 8 84%
Tenor Treble 18 0 6 6 84%
Soprano Treble 17 0 6 7 81%
Tenor
Trombone		 12 0 3 4 28%
12 0 3 5 28%
Bass
Trombone		 Bass 14 0 4 6 28%
C
Trumpet		 Treble 8 0 0 4 28%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
 
J. S. Bach: Du wahrer Gott und Davids Sohn (BWV 23, #1)
BSG
7:39 Est. Play
Time
62 Measures
3,722Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
Cto
Rlz		 Treble 23 125 8 10 95%
Oboe
1		 Treble 24 0 9 11 94%
Oboe
2		 Treble 23 0 8 9 90%
Alto Treble 15 0 6 12 60%
Soprano Treble 15 0 5 14 58%
 
J.S. Bach: Coro: Herr, unser Herrscher (BWV 245 (Johannespassion), #1)
BSG
8:48 Est. Play
Time
96 Measures
3,564Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 18 0 7 3 100%
Contrabass Bass 18 0 7 3 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 18 0 7 3 100%
Contrabass Bass 18 0 7 3 100%
Vcl./Fagotto Bass 18 0 7 3 100%
Viola 26 0 12 3 100%
Violin
1		 Treble 28 0 10 3 100%
Violin
2		 Treble 28 0 10 3 100%
Fl./Ob.
1		 Treble 22 0 9 6 98%
Flute
1		 Treble 22 0 9 6 98%
Fl./Ob.
2		 Treble 21 0 8 6 95%
Flute
2		 Treble 20 0 8 6 95%
Bass Bass 22 0 9 6 78%
Tenor Treble 20 0 8 5 78%
Alto Treble 21 0 7 7 76%
Soprano Treble 22 0 9 6 76%
 
Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)
BSG
8:12 Est. Play
Time
83 Measures
4,627Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Treble 24 80 8 6 85%
Bass 21 0 6 6 100%
CB Bass 21 0 6 6 100%
Vcl Bass 21 0 6 6 100%
Viola 20 0 7 7 100%
Vn
1		 Treble 23 0 9 8 100%
Vn
2		 Treble 20 0 6 6 100%
Flute Treble 27 0 10 10 99%
Bass Bass 18 0 6 6 49%
Sop Treble 16 0 5 6 49%
Alto Treble 16 0 5 5 48%
Ten Treble 12 0 2 5 42%
Tenor
Trombone		 Treble 12 0 2 6 42%
 
Handel: Cara Sposa from Rinaldo (audio rendition by @SDG)
BSG
3:26 Est. Play
Time
91 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
2		 Treble 21 0 6 6 97%
Violin
1		 Treble 21 0 5 7 95%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
2		 Treble 21 0 6 6 97%
Violin
1		 Treble 21 0 5 7 95%
Viola 18 0 4 5 93%
Bassi Bass 22 0 5 4 75%
Rinaldo (Alto) Treble 16 0 6 7 75%