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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
Belcore		16	0	3	6	63%
Basse		7	0	1	5	38%
Ténor 1		8	0	1	5	36%
Ténor 2		8	0	1	5	32%
Soprano 1		7	0	1	4	16%
Soprano 2		6	0	2	4	16%
Nemorino		5	0	1	4	4%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
Tenor 1		13	0	2	4	93%
Tenor 2		13	0	3	4	93%
Soprano 1		15	0	5	4	89%
Soprano 2		16	0	4	4	89%
Basse		10	1	2	4	87%
Gianetta		11	0	0	4	76%
Nemorino		11	0	2	4	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2

Papibois

1:14	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	43	7	5	100%
		24	28	4	4	98%
Ténor 1		13	0	2	4	93%
Ténor 2		13	0	3	4	93%
Soprano 1		15	0	4	4	89%
Soprano 2		16	0	4	4	89%
Basse		10	1	0	4	87%
Gianetta		11	0	0	4	76%
Nemorino		11	0	2	4	72%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

RIGOLETTO de Verdi : Chœurs Partie 2/6 Acte 1 « Oh tu que la festa... »

Papibois

1:13	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
Basses I		16	0	5	4	85%
Basses II		16	0	5	4	85%
Ténors I		19	0	3	4	85%
Ténors II		16	0	3	4	85%
Monterone		7	0	0	2	19%

FAUST de Gounod : Choeurs Partie 10/14 La nuit de Walpurgis (début)

Papibois

1:07	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	27	13	5	100%
		25	30	10	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	27	13	5	100%
		25	30	10	4	100%
Soprano 1		13	0	4	4	76%
Soprano 2		14	0	4	4	76%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

FAUST de Gounod : Choeurs Partie 13/14 O doux nectar

Papibois

1:04	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	37	6	5	100%
		20	35	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	37	6	5	100%
		20	35	6	6	100%
FAUST		15	0	4	6	84%
Soprano 1		10	0	2	5	51%
Soprano 2		9	0	0	5	51%

RIGOLETTO de Verdi : Chœurs Partie 2/6 Acte 1 « Oh tu que la festa... » - TENOR 1

Papibois

1:13	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
Basses I		16	0	5	4	85%
Basses II		16	0	5	4	85%
Ténors I		19	0	3	4	85%
Ténors II		16	0	3	4	85%
Monterone		7	0	0	2	19%

RIGOLETTO de Verdi : Chœurs Partie 2/6 Acte 1 « Oh tu que la festa... » - TENOR 2

Papibois

1:13	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
Basses I		16	0	5	4	85%
Basses II		16	0	5	4	85%
Ténors I		19	0	3	4	85%
Ténors II		16	0	3	4	85%
Monterone		7	0	0	2	19%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara »

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	2	3	64%
Ténor 1		9	0	2	3	64%
Ténor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - SOPRANO 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

RIGOLETTO de Verdi : Chœurs Partie 2/6 Acte 1 « Oh tu que la festa... » - BASSE 1

Papibois

1:13	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
Basses I		16	0	5	4	85%
Basses II		16	0	5	4	85%
Ténors I		19	0	3	4	85%
Ténors II		16	0	3	4	85%
Monterone		7	0	0	2	19%

RIGOLETTO de Verdi : Chœurs Partie 2/6 Acte 1 « Oh tu que la festa... » - BASSE 2

Papibois

1:13	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	35	3	4	100%
		29	26	12	4	99%
Basses I		16	0	5	4	85%
Basses II		16	0	5	4	85%
Ténors I		19	0	3	4	85%
Ténors II		16	0	3	4	85%
Monterone		7	0	0	2	19%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois

Papibois

1:13	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2		30	47	10	5	100%
		25	18	7	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2		30	47	10	5	100%
		25	18	7	7	100%
Basse 1		10	0	1	6	81%
Basse 2		11	0	1	6	81%
Soprano 1		12	0	1	6	81%
Soprano 2		13	0	2	6	81%
Ténor 1		11	0	0	6	81%
Ténor 2		9	0	1	6	81%

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