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Measures: 60 - 150

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Roland Bouman
Gregorio Allegri - Miserere mei, Deus
Roland Bouman
2:40 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 9 0 1 5 65%
Alto Treble 10 0 2 7 35%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 9 0 1 5 65%
Alto Treble 10 0 2 7 35%
Treble 5 0 0 6 45%
Bass Bass 9 0 2 4 35%
Bass 9 0 0 5 45%
Soprano Treble 7 0 1 5 43%
Treble 6 0 1 7 35%
Treble 7 0 2 5 40%
Treble 9 0 1 9 35%
 
WA Mozart KV 231: Kanon für sechs Stimmen ("Leck mich im Arsch!") - Arranged for SAT Choir
Roland Bouman
1:56 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 0 4 35%
Treble 13 0 0 4 71%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 0 4 35%
Treble 13 0 0 4 71%
Bass Bass 13 0 0 4 35%
Bass 13 0 0 4 35%
Soprano Treble 13 0 0 4 35%
Treble 13 0 0 4 35%
 
Henry Purcell: "When I am laid" (aka "Dido's Lament" from Act 3 of "Dido and Aeneas")
Roland Bouman
3:36 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 12 0 3 3 100%
Treble 0 0 0 0 0%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 12 0 3 3 100%
Treble 0 0 0 0 0%
Violin Treble 20 0 6 7 89%
Viola 11 0 2 6 80%
Soprano Treble 16 0 4 8 77%
 
Mahler - Kindertotenlieder I: "Nun will die Son' so hell aufgeh'n"
Roland Bouman
4:37 Est. Play
Time
85 Measures
1,687Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F
(I)		 Treble 20 0 6 8 59%
Singstimme Treble 13 0 6 6 56%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F
(I)		 Treble 20 0 6 8 59%
Singstimme Treble 13 0 6 6 56%
Oboe Treble 23 0 8 6 48%
Harfe Treble 16 0 6 4 33%
Bass 18 2 7 5 48%
Violoncelli Bass 34 1 11 7 42%
2
Fagotten		 Bass 29 2 11 7 39%
2
Klarinetten
in
B		 Treble 23 1 10 7 35%
Bassklarinette
in
B		 Treble 12 0 4 7 30%
Violen 20 0 8 6 26%
Horn
in
F
(II)		 Treble 8 0 0 5 26%
Violinen
I		 Treble 29 0 11 6 26%
Violinen
II		 Treble 26 0 11 5 20%
2
Flöten		 Treble 22 1 8 4 19%
Glockenspiel Treble 1 0 0 3 14%
Kontrabässe Bass 5 0 1 4 14%
 
Flows (reed sextet version)
Roland Bouman
6:40 Est. Play
Time
100 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 28 0 11 11 90%
Bass
Clarinet		 Treble 30 0 11 10 85%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 28 0 11 11 90%
Bass
Clarinet		 Treble 30 0 11 10 85%
Alto
Saxophone		 Treble 26 0 10 10 84%
Soprano
Saxophone		 Treble 24 0 9 10 78%
Bassoon Bass 26 0 10 10 61%
E♭
Clarinet		 Treble 26 0 10 11 59%
 
Lupus Hellinck - Missa Surge Propera (pars 4: Et in terra pax hominibus)
Roland Bouman
2:30 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 12 0 2 6 92%
Contra Treble 13 0 3 7 88%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 12 0 2 6 92%
Contra Treble 13 0 3 7 88%
Tenor Treble 9 0 0 7 85%
Bassus Bass 9 0 1 6 63%
 
Anonymous - Prosa Inviolata
Roland Bouman
3:07 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 7 92%
Bass Bass 10 0 0 5 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 7 92%
Bass Bass 10 0 0 5 91%
Soprano Treble 7 0 0 7 91%
Tenor Treble 9 0 0 5 87%