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SDG

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		17	0	2	5	100%
Alto		4	0	0	1	8%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		17	0	2	5	100%
Alto		4	0	0	1	8%

198. Mijn tijden, Heer, zijn in uw hand. The Lord's my Shepherd, I'll not want.

SDG

0:28	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		5	0	0	4	100%
Bas		10	0	0	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		5	0	0	4	100%
Bas		10	0	0	4	100%
Sopraan		9	0	1	4	100%
Tenor		6	0	1	4	100%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Organ		11	0	0	4	100%
		9	0	1	4	50%
		14	0	1	4	100%
C Trumpet		9	0	0	4	100%
English Horn		9	0	0	4	100%
Flute		9	0	0	4	100%
Oboe		9	0	0	4	100%
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		14	0	1	4	100%
Violin		9	0	0	4	100%
Contrabass		9	0	1	4	50%
Viola		7	0	0	4	50%
Violoncello		9	0	1	4	50%
Soprano		2	0	0	1	10%
		2	0	0	1	10%
		2	0	0	1	10%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

Stabat mater, Zoltan Kodaly

SDG

0:39	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
Soprano		8	0	1	3	100%
Tenor		6	0	1	3	100%

Silent Night. Tikhaya Noch. Тихая ночь. Franz Gruber. Russian like version with Basso Profundo. Arrangement: Gertim (SDG)

SDG

1:25	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	0	6	100%
Tenor		10	0	0	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	0	6	100%
Tenor		10	0	0	6	100%
Tenor/Bass		11	0	0	6	100%
Bass		3	0	0	6	50%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		21	0	7	5	96%
Organo e Continuo		0	0	0	0	0%
		21	0	7	5	96%
Violoncello		21	0	7	5	96%
Viola		23	0	8	5	89%
Violino II		23	0	8	5	89%
Violino I		26	0	10	6	88%
Alto		17	0	7	6	77%
Soprano		20	0	8	6	77%
Tenore		18	0	6	6	77%
Flauto traverso I,II		23	0	8	6	73%
Basso		18	0	7	5	67%
Oboe I/II		23	0	8	6	60%

Paschal Lamb, by God appointed, Hyfrydol, Bakewell, Prichard. Come thou long expected Jesus.

SDG

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	5	100%
T B		10	0	1	5	100%
Bass		5	0	0	2	11%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	5	100%
T B		10	0	1	5	100%
Bass		5	0	0	2	11%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
Horn in F		6	0	0	4	100%
Oboe		6	0	0	4	100%
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	4	5	100%
Viola		10	0	2	5	100%
Contrabass		18	0	3	3	45%
Violoncello		18	0	3	3	45%
Tenor		2	0	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
Contrabass		13	0	2	5	50%
Bass		3	0	0	2	6%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
Contrabass		17	0	4	5	46%
Alto		3	0	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		13	0	1	5	50%
Tenor		3	0	0	2	8%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	7	100%
Tenor/Bass		26	0	8	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	5	7	100%
Tenor/Bass		26	0	8	7	100%
Contrabass		19	0	6	7	50%
Soprano		2	0	0	1	3%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo		24	0	8	5	93%
Contrabass		24	0	8	5	93%
Fagotto		24	0	8	5	93%
Viola.		23	0	8	8	93%
Violino II.		24	0	8	8	93%
Violino I.		28	0	9	8	91%
Oboe II.		19	0	6	8	79%
Flauto traverso II.		22	0	7	8	79%
Flauto traverso I.		23	0	7	8	78%
Oboe I.		21	0	7	8	78%
Tenore.		18	0	6	7	71%
Alto.		17	0	6	7	70%
Basso.		18	0	6	7	70%
Soprano		19	0	6	8	67%
		19	0	6	8	67%
Soprano.		19	0	6	8	67%
Tromba I.		12	0	1	8	34%
Tromba II.		11	0	1	5	29%
Tromba III.		7	0	0	5	28%
Timpani.		2	0	0	5	27%

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