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SDG
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Glorify Thy Name. Arrangement: Gertim (SDG)
SDG
2:13 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
 
As with gladness men of old, christmas carol
SDG
0:32 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
 
Jesu Hail! O God most holy, by John Stainer.
SDG
2:40 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
 
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
Nearer, My God, To Thee. Nader mijn God bij U, Joh. de Heer 456)
SDG
0:36 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 5 100%
T B Bass 11 1 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 5 100%
T B Bass 11 1 0 5 100%
 
My Jesus, I love Thee, I know Thou art mine. Mijn Jezus, ik houd van U, ik noem U mijn vriend, Opwekking 392
SDG
0:55 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 5 100%
Tenor/Bass Bass 13 7 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 5 100%
Tenor/Bass Bass 13 7 2 5 100%
 
Het is volbracht! (variant III). Composed by Gertim
SDG
0:47 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 4 4 100%
Bass 17 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 4 4 100%
Bass 17 0 2 3 100%
 
ShermetevNinye
SDG
3:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 39 8 6 100%
Tenor/Bass Bass 21 14 8 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 39 8 6 100%
Tenor/Bass Bass 21 14 8 6 98%
 
O Love, that will not let me go.
SDG
0:33 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 5 100%
T B Bass 11 1 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 5 100%
T B Bass 11 1 1 5 100%
 
33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
 
Be still my soul. Ik bouw op U, mijn schild en mijn verlosser, (Opwekking 124)
SDG
0:58 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 1 5 98%
Tenor/Bass Bass 14 0 2 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 1 5 98%
Tenor/Bass Bass 14 0 2 5 98%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
I know that my redeemer lives (O joyful sound! o glorious hour). Ik weet dat mijn Verlosser leeft, Joh. de Heer 113.
SDG
0:53 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 6 100%
T B Bass 10 1 0 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 6 100%
T B Bass 10 1 0 6 86%
 
Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.
SDG
5:01 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
 
Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.
SDG
2:42 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
Soprano Treble 16 0 3 8 98%
Basso Bass 17 0 5 6 81%
 
25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)
SDG
1:54 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
 
The Power Of Your Love, Lord I come to You, Geoff Bullock. SATB Arrangement: Gertim (SDG)
SDG
1:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 8 99%
Bass 13 0 1 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 0 8 99%
Bass 13 0 1 8 99%
 
1. Halleluja, lof zij het Lam
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 0 1 3 100%
T B Bass 12 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 0 1 3 100%
T B Bass 12 0 0 3 100%