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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
	28	0	10	3	87%
Fagotto.	28	0	10	3	87%
Organo e Continuo.	28	0	10	3	87%
Violone.	28	0	10	3	87%
Viola.	17	0	6	4	76%
Violino I.	21	0	6	3	76%
Violino II.	21	0	6	3	76%
Flauto traverso II.	18	0	5	2	70%
Soprano.	16	0	6	7	61%

J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei

Samuel Ricke

6:26	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
Continuo.	22	0	9	3	100%
Violino I.II.	27	0	9	4	100%
Violone.	22	0	9	3	100%
Alto.	18	0	6	6	69%

Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart

Samuel Ricke

3:36	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	0	6	3	100%
Violino I.	27	1	9	2	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	0	6	3	100%
Violino I.	27	1	9	2	100%
Violino II.	18	1	7	3	100%
Violoncello, Basso ed Organo.	33	0	13	2	96%
Organ	32	56	12	3	93%
Basso.	19	0	6	6	89%
Soprano.	18	0	6	5	89%
Tenore.	15	0	5	6	89%
Trombone II.	15	0	5	5	87%
Trombone III.	19	0	6	5	87%
Alto.	16	0	6	6	86%
Corni di Bassetto.	21	3	8	6	84%
Fagotti.	26	3	9	6	84%
Trombone I.	16	0	6	5	83%
Trombe in D.	4	3	0	4	39%
Timpani in D.A.	2	0	0	2	37%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
Violoncello.	28	0	9	3	100%
Violone.	28	0	9	3	100%
Cornetto.	13	0	4	8	89%
Soprano.	13	0	4	6	89%
Alto.	14	0	5	7	83%
Trombone I.	14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
Fagotto.	23	0	10	6	100%
Oboe I.	18	0	7	10	100%
Oboe II.	17	0	5	5	100%
Oboe III.	13	0	4	5	100%
Viola.	17	0	7	7	100%
Violino I.	19	0	5	7	100%
Violino II.	16	0	6	5	100%
Violino piccolo.	23	0	9	9	100%
Violoncello.	22	0	10	6	100%
Violone.	22	2	10	6	100%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
Bassoon	20	0	2	8	100%
Violoncellos	21	0	2	8	100%
Violas	16	0	2	8	99%
Violins	20	0	1	8	98%
	21	0	3	8	96%
Contrabasses	17	0	2	8	98%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
Contralto	13	0	2	8	91%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
D Trumpet	11	1	1	8	73%
Timpani	2	0	0	8	50%

Requiem in D Minor, K. 626, III. Sequentia: Recordare By W. A. Mozart

Samuel Ricke

7:10	Est. Play Time
130	Measures
	1,627Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	36	0	13	7	92%
Violino II.	24	0	6	8	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	36	0	13	7	92%
Violino II.	24	0	6	8	92%
Viola.	23	0	8	7	88%
Violino I.	25	0	9	8	86%
Soprano Solo.	18	0	6	6	68%
Tenore solo.	14	0	5	6	65%
Basso solo.	19	0	7	6	60%
Corni di Bassetto in F.	21	0	7	6	59%
Alto solo.	15	0	4	6	58%
Fagotti.	24	35	7	6	47%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
Flauto.	22	0	8	3	79%
Fagotti.	26	16	11	4	78%
Violino I.	22	0	7	4	75%
Contrabasso.	23	0	8	4	73%
Violoncello.	23	0	8	4	73%
Violino II.	26	2	7	4	73%
Viola.	20	3	6	3	67%
Clarinetti in B.	21	11	7	4	65%
Corni in G.	10	12	0	4	52%

Fantasia and Fugue in C Minor, BWV 537 By Johann Sebastian Bach

Samuel Ricke

7:13	Est. Play Time
179	Measures
	1,237Kb

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

Mozart: Adagio and Fugue For Strings in C Minor, K. 546

Samuel Ricke

8:03	Est. Play Time
171	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	26	2	12	10	94%
Violins	33	6	14	9	89%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	26	2	12	10	94%
Violins	33	6	14	9	89%
	27	4	13	8	92%
Violas	23	3	9	10	92%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
Bassi ed Organo.	22	1	8	5	100%
Contrabasso.	22	1	8	5	100%
Fagotto.	22	1	8	5	100%
Violino II.	29	0	10	8	100%
Violino I.	29	0	10	9	99%
Alto.	10	0	2	4	7%
	14	0	5	7	80%
Soprano.	16	0	5	9	76%
	6	0	1	4	4%
Trombone I.	13	0	4	7	74%
Basso.	3	0	1	3	4%
	17	0	7	8	73%
Tenore.	8	0	2	4	7%
	13	0	3	7	70%
Clarini in C.	8	8	1	6	70%
Trombone III.	17	0	7	8	67%
Trombone II.	13	0	3	7	64%
Trombe in C.	4	2	0	5	55%
Timpani in C.G.	3	0	0	5	49%

Requiem in D Minor, K. 626, IV. Offertorium: Domine Jesu By W. A. Mozart

Samuel Ricke

3:42	Est. Play Time
78	Measures
	2,990Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
Violino II.	30	0	11	7	100%
Organ	49	131	20	7	95%
Tenore.	18	0	7	7	94%
Violoncello, Basso ed Organo.	42	0	17	6	91%
Alto.	18	0	7	8	91%
Soprano.	21	0	8	8	85%
Basso.	20	0	7	7	79%
Fagotti.	29	1	11	6	68%
Corni di Bassetto in F.	21	0	8	7	60%
Trombone II.	16	0	6	6	59%
Trombone I.	16	0	6	7	54%
Trombone III.	18	0	6	6	47%

Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"

Samuel Ricke

8:24	Est. Play Time
299	Measures
	4,393Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	34	11	15	8	97%
Violino II.	31	24	15	7	96%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	34	11	15	8	97%
Violino II.	31	24	15	7	96%
Violoncello.	29	0	13	6	90%
Viola.	28	44	11	6	90%
Contrabasso.	29	0	13	6	89%
Fagotti.	27	40	12	7	84%
Oboi.	27	52	12	8	62%
	27	60	12	8	77%
Clarinetti in B.	23	47	7	7	72%
Flauto.	21	0	7	8	69%
Corno in B.	6	0	0	6	44%
Corno in G.	7	0	2	6	37%

Mozart: "Maurerische Trauermusik", K. 477

Samuel Ricke

3:36	Est. Play Time
69	Measures
	1,115Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi	22	34	7	6	92%
Violino I.	28	1	10	12	90%
Contrabasso	19	0	6	6	88%
Violoncello.	19	0	6	6	88%
Violino II.	19	12	7	9	87%
Viola.	21	16	7	7	87%
Clarinetti in B.	11	0	0	5	75%
Corni di Bassetto.	7	0	0	6	72%
	19	0	5	7	71%
	16	0	4	7	72%
Corno in E.	10	0	0	6	72%
Granfagotto.	15	0	3	7	68%
Corno in C.	6	0	0	6	58%

Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart

Samuel Ricke

4:33	Est. Play Time
76	Measures
	2,218Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	24	0	8	4	100%
Organo	18	74	6	6	71%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	24	0	8	4	100%
Organo	18	74	6	6	71%
	28	0	7	5	99%
Viola	23	1	8	7	99%
Violino II	25	6	8	8	95%
Violino I	24	6	8	7	89%
Contrabasso	20	0	6	4	84%
Fagotti	26	0	7	6	84%
Corni di Basetto	21	0	6	9	78%
Tenore	14	0	4	6	76%
Alto	13	0	4	7	71%
Trombone tenore	16	0	3	6	68%
Soprano	14	0	4	9	67%
Trombone Alto	15	0	4	8	64%
Basso	19	0	6	6	59%
Trombe in B	8	8	0	4	27%
Trombone Basso	12	0	1	4	26%

Requiem in D Minor, K. 626, IV. Offertorium: Hostias By W. A. Mozart

Samuel Ricke

4:38	Est. Play Time
89	Measures
	2,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
Organo	48	124	22	8	99%
Violoncello, Basso ed Organo.	42	0	19	5	99%
Viola.	23	0	10	6	99%
Tenore.	14	0	5	8	92%
Alto.	15	0	7	8	90%
Basso.	22	0	9	8	89%
Soprano.	18	0	7	8	87%
Fagotti.	29	1	11	8	79%
Corni di Bassetto in F.	21	0	9	8	71%
Trombone II.	13	0	4	6	34%
Trombone I.	15	0	6	7	31%
Trombone III.	17	0	6	6	30%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
	14	0	0	3	12%
	26	0	11	7	94%
Violone.	14	0	0	3	12%
	26	0	11	7	94%
Continuo.	26	0	11	7	94%
Tenore.	19	0	7	6	71%
	10	0	1	3	12%
Viola.	20	0	6	7	63%
	7	0	0	3	12%
Violino I.	20	0	6	6	63%
	13	0	0	3	12%
Violino II.	10	0	2	3	12%
	18	0	5	6	63%
Basso.	12	0	0	3	12%
	19	0	6	5	61%
Alto.	12	0	4	4	35%
	7	0	0	3	12%
Fagotto.	14	0	0	4	12%
	24	0	8	5	35%
Oboe I.	8	0	1	3	12%
	14	0	4	5	35%
Oboe II.	16	0	4	4	35%
	12	0	2	3	12%
Soprano.	7	0	1	3	12%
	14	0	4	5	35%
Flauto traverso I.	19	0	7	4	33%
	14	0	0	3	12%
Flauto traverso II.	19	0	7	4	33%
	14	0	0	3	12%
Organo e Continuo.	14	0	0	3	12%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	31	5	7	96%
	23	0	7	8	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	31	5	7	96%
	23	0	7	8	100%
Organo e Continuo.	23	0	7	7	100%
Violone.	23	0	7	8	100%
Basso.	19	0	6	5	97%
Tenore.	17	0	4	6	96%
Alto.	15	0	3	6	88%
Soprano.	17	0	4	6	85%
Violino I.	20	0	4	7	78%
Oboe.	17	0	3	7	76%
Viola.	22	0	5	7	76%
Violino II.	21	0	5	7	76%
Fagotto.	19	0	4	7	75%
Tromba I.	12	0	2	6	60%
Tromba II.	10	0	1	6	60%
Tromba III.	8	0	0	5	54%
Timpani.	2	0	0	5	50%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%