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papisenior
LA PALOMA de S. Iradier - Arr. Massoti
papisenior
5:28 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 17 20 5 8 94%
Basse Bass 12 4 3 8 88%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 17 20 5 8 94%
Basse Bass 12 4 3 8 88%
Alto Treble 13 0 3 9 86%
Soprano Treble 14 16 2 9 84%
 
Le voici le pain des anges
papisenior
1:52 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 11 0 0 5 100%
Bass 15 0 2 5 100%
Voix Treble 8 3 0 4 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 11 0 0 5 100%
Bass 15 0 2 5 100%
Voix Treble 8 3 0 4 98%
 
Méditation, petite pièce pour orgue
papisenior
1:46 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 13 0 2 6 99%
Bass 16 3 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 13 0 2 6 99%
Bass 16 3 2 6 100%
 
En marchant vers Toi Seigneur Intro+5+2+R
papisenior
1:35 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 7 6 0 5 100%
Violoncelle Treble 9 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 7 6 0 5 100%
Violoncelle Treble 9 0 0 4 100%
 
C'est Toi Seigneur notre joie A 104 + intro
papisenior
0:42 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 7 4 0 5 100%
Bass 9 7 2 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 7 4 0 5 100%
Bass 9 7 2 4 96%
 
Quien Fuera Como El jazmin - Etude chorale - Tutti
papisenior
2:48 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
Basse 19 3 4 6 55%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Basse
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Alto
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Ténor
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Soprano
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%