Play Along Piano

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Amor io sent/'un

Guglielmo Blotagrio

2:08	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	9	0	2	6	92%
Canto	8	0	1	6	89%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	9	2	6	92%
Canto	8	1	6	89%
Tenor 2	8	2	6	88%
Basso	10	1	5	80%

Altra aurora bisogna

Luca Marenzio

2:36	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	3	5	91%
Alto	14	0	3	6	86%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	3	5	91%
Alto	14	3	6	86%
Basso	17	6	5	78%
Quinto	13	3	5	75%
Sesto	14	3	6	71%
Tenore	12	2	5	70%

Amazing Grace- Phantom Regiment

Joshtc1997

3:01	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Tuba	17	5	2	10	98%
F Mellophone 2	17	6	5	7	98%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Tuba	17	5	2	10	98%
F Mellophone 2	17	6	5	7	98%
Euphonium	13	3	1	7	98%
Baritone	18	6	2	7	96%
Solo Baritone	13	4	0	8	67%
BaccidentalFlat Trumpet 2	13	0	2	9	65%
BaccidentalFlat Trumpet 3	9	0	2	7	65%
BaccidentalFlat Trumpet 1	9	0	0	12	61%
F Mellophone 1	15	3	3	6	54%
B♭ Trumpet	11	1	0	12	34%
Horn in F	8	1	1	5	28%

Ardo sì, ma non t'amo

Giovanni Cavaccio

2:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	3	7	95%
Discantus	12	0	3	6	88%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	3	7	95%
Discantus	12	3	6	88%
Altus	12	2	6	86%
Quinta vox	13	3	6	77%
Bassus	11	1	6	75%

Anne with an E - Never Going Back

Kogani

1:59	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	6	0	6	21%
	11	6	1	2	33%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	6	0	6	21%
	11	6	1	2	33%
Violons	8	0	1	4	100%
	9	0	0	4	83%
Violoncelles	8	0	1	4	100%
Contrebasses	5	0	0	4	96%
Violon	19	0	3	8	71%
Violas	9	0	0	5	58%
Violoncelle	14	0	2	5	38%

Ancor che l'alto mio

Giaches de Wert

1:52	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	0	4	7	100%
Quinto	14	0	3	7	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	4	7	100%
Quinto	14	3	7	100%
Alto	14	4	7	96%
Tenore	13	3	7	79%
Basso	13	2	6	68%

Animam meam dilectam

Tomás Luis de Victoria

2:10	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	3	6	94%
Tenor	12	0	3	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	3	6	94%
Tenor	12	3	6	94%
Bajo	13	5	5	82%
Soprano	11	4	5	61%

Ardo si, ma non t'a-mo

Francesco Rovigo

2:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	3	5	96%
Soprano	12	0	4	6	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	3	5	96%
Soprano	12	4	6	90%
Tenor 1	11	2	6	87%
Tenor 2	13	2	5	85%
Bass	14	2	6	71%

Ardo sì, ma non t'amo

Jacob Regnart

2:06	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	4	6	97%
Alto	10	0	2	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	4	6	97%
Alto	10	2	6	94%
Soprano 2	14	4	6	94%
Soprano 1	12	3	6	92%
Bass	12	2	4	76%

Amor potente iddio

Jan Tollius

2:32	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	0	4	6	97%
Soprano 1	16	0	5	6	95%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	4	6	97%
Soprano 1	16	5	6	95%
Soprano 3	19	6	6	92%
Tenor	12	2	6	84%
Bass	13	1	6	82%
Alto	15	3	6	79%

Amazing Grace - for choir SAA and piano

CorrinB

2:43	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	18	0	7	88%
	15	14	0	6	94%
View all 5 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	13	18	7	88%
	15	14	6	94%
Soprano	8	0	7	84%
Alto 1	9	0	7	76%
Alto 2	8	0	6	72%

Angelus Domini

Joseph Furmanik

2:11	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	7	85%
P1	14	1	4	6	84%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	7	85%
P1	14	1	4	6	84%
P4	19	2	4	6	83%
P2	17	0	3	6	69%

Amor i hò molti

Luca Marenzio

2:12	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	10	0	2	7	97%
Alto	13	0	3	5	89%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	10	2	7	97%
Alto	13	3	5	89%
Basso	12	3	5	80%
Tenore	12	3	6	78%
Quinto	14	3	6	74%

Amor, con l'arbor mio

Girolamo Belli

2:16	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	5	8	100%
Quinto	13	0	3	7	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	5	8	100%
Quinto	13	3	7	100%
Soprano	12	5	6	91%
Tenor	13	4	6	91%
Bass	12	3	6	79%

Almighty God, unto whom

Joseph Key

1:48	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
Soprano	9	0	1	8	86%
Alto	6	0	0	8	76%

Alma redemptoris mater a 8

Peter Philips

2:03	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	11	0	3	8	77%
Bass 1	13	0	4	8	77%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	11	3	8	77%
Bass 1	13	4	8	77%
Soprano 1	13	3	7	77%
Tenor 1	10	1	6	77%
Soprano 2	11	2	8	72%
Alto 2	13	3	7	69%
Tenor 2	11	2	7	69%
Bass 2	14	4	7	67%