Play Along Piano

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Amor da che tu voi

Tiburtio Massaino

2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	3	7	100%
Soprano	10	0	0	7	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	3	7	100%
Soprano	10	0	7	95%
Tenor	16	4	6	95%
Bass	9	0	6	87%

Altri che voi

Jacques Arcadelt

2:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	8	0	0	7	97%
Tenor 3	9	0	1	6	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	8	0	7	97%
Tenor 3	9	1	6	97%
Tenor 2	9	1	6	94%
Tenor 1	11	1	7	92%
Bass	10	1	6	83%

Amazing Grace- Phantom Regiment

Joshtc1997

3:01	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Tuba	17	5	2	10	98%
F Mellophone 2	17	6	5	7	98%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C Tuba	17	5	2	10	98%
F Mellophone 2	17	6	5	7	98%
Euphonium	13	3	1	7	98%
Baritone	18	6	2	7	96%
Solo Baritone	13	4	0	8	67%
BaccidentalFlat Trumpet 2	13	0	2	9	65%
BaccidentalFlat Trumpet 3	9	0	2	7	65%
BaccidentalFlat Trumpet 1	9	0	0	12	61%
F Mellophone 1	15	3	3	6	54%
B♭ Trumpet	11	1	0	12	34%
Horn in F	8	1	1	5	28%

Amyntas with his Phyllis fair

Francis Pilkington

2:40	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	0	2	6	96%
Bass	13	0	1	6	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	2	6	96%
Bass	13	1	6	95%
Alto	15	4	6	93%
Tenor	9	2	6	83%

And must I needs depart then?

Thomas Bateson

2:50	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rehearsal	17	1	5	6	99%
	15	2	2	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rehearsal	17	1	5	6	99%
	15	2	2	6	96%
Alto	13	0	3	5	98%
Tenor	11	0	2	6	98%
Soprano I	11	0	2	6	95%
	13	0	4	6	96%
Bass	10	0	1	6	82%

Aria from Orfeo ed Eurydice - CW Gluck (Brass Quintet - Horn Solo)

Peet du Toit

3:04	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flügelhorn 1	16	0	5	4	100%
Flügelhorn 2	14	0	3	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flügelhorn 1	16	5	4	100%
Flügelhorn 2	14	3	4	100%
Horn in F	19	7	9	100%
Tuba	13	3	4	94%
Euphonium	10	3	4	83%

Amor,Fortuna

Gasparo Pratoneri

2:25	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	7	100%
Canto	9	0	3	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	1	7	100%
Canto	9	3	8	97%
Quinto	11	2	7	97%
Tenore	10	1	7	97%
Basso	10	1	7	84%

Andianne à premer latte

Claudio Saracini

2:28	Est. Play Time
37	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	17	3	5	100%
	0	0	0	0%
Soprano	9	2	7	92%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	17	3	5	100%
	0	0	0	0%
Soprano	9	2	7	92%

Amor se vuoi ch'io torni

Domenico Micheli

3:04	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	12	0	3	6	100%
Tenor	11	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	12	3	6	100%
Tenor	11	2	6	100%
Alto	13	4	7	96%
Soprano	10	2	6	96%
Bass	11	2	6	89%

Anchor ch'in alto mar di scogli pieno

Jan Tollius

2:33	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	8	100%
Soprano 1	10	0	2	8	95%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	8	100%
Soprano 1	10	2	8	95%
Soprano 3	13	4	9	92%
Soprano 2	12	3	8	90%
Bass	12	2	8	87%
Tenor	11	1	8	87%

Applaus, Applaus - Sportfreunde Stiller

Erik Rehbehn

2:56	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier	7	0	2	4	66%
	15	16	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier	7	0	2	4	66%
	15	16	4	5	100%
	8	0	0	2	100%
Elektrische Gitarre	16	7	4	5	100%
Elektrischer Bass	6	0	0	3	100%
Tenorsaxophon	8	0	2	7	57%
Trompete in B	11	0	3	7	57%
Posaune	10	0	2	4	54%

Ar Lan Y Môr

crashw

2:17	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	39	4	5	100%
	13	7	2	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	39	4	5	100%
	13	7	2	4	100%
Soprano	11	0	1	5	93%
Alto	9	0	0	5	77%
Bass	7	0	1	4	66%
Tenor	10	0	1	5	54%

an ode to desperation: a collection of musical fragments

im.jon

2:51	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	10	9	4	3	64%
Contrabasses	11	4	2	3	61%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	10	9	4	3	64%
Contrabasses	11	4	2	3	61%
Violas	15	8	3	3	58%
Violins	11	5	2	3	58%
English Horn	9	0	2	6	53%
Voice	15	3	4	4	47%
	3	1	1	1	3%
	3	0	0	2	47%
	3	0	0	2	44%
Timpani	5	1	1	6	19%