Active Filters:
Clef: BassBass
Measures: < 20
Participation: 0%
Participation: 100%
Unique Accidentals: > 4
Clear All Filters
AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Chromatic Invention (1)
Bartók forever
0:56 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
 
Consecutive perfect fifths and octaves in WTC 1, 2.
Сергей Щетников
0:44 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 3 13 8 96%
Bass 22 0 7 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 3 13 8 96%
Bass 22 0 7 6 100%
 
Composition DA, No. 4
moscos
0:24 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 42 10 4 100%
Bass 36 14 7 4 100%
피아노
 Treble 12 6 0 3 15%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 42 10 4 100%
Bass 36 14 7 4 100%
피아노
 Treble 12 6 0 3 15%
 
conan 3
omgbyke
0:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 25 17 6 12 84%
Bass 18 2 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 25 17 6 12 84%
Bass 18 2 6 8 100%
 
Chrono Trigger - 08 "A Strange Happening"
Starsoarer
1:25 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 5 6 5 100%
Bass 27 4 11 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 5 6 5 100%
Bass 27 4 11 5 98%
 
Complication
Classic King
0:47 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 3 7 5 100%
Bass 31 5 9 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 3 7 5 100%
Bass 31 5 9 4 100%
 
Comp Exercise #9 - Hannah Polk
hpolk0
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 13 3 4 100%
Bass 15 14 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 13 3 4 100%
Bass 15 14 6 4 100%
 
chromatic warm-up
louish25
0:32 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 19 0 8 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 19 0 8 1 100%
 
42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
Contrabass Bass 17 0 4 5 46%
Alto Treble 3 0 0 2 6%
 
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
Contra G Bugle Fingering Chart
NotSteven
0:15 Est. Play
Time
1 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Reading
as
BB♭
Tuba		 Bass 31 0 11 1 100%
Bass 31 0 11 1 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Reading
as
BB♭
Tuba		 Bass 31 0 11 1 100%
Bass 31 0 11 1 100%
Reading
as
G
Contra		 Treble 31 0 11 1 100%
Treble 31 0 11 1 100%
 
43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
38. Christ lag in Todesbanden. BWV 277.
SDG
0:58 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 23 0 7 6 100%
Bass 23 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 23 0 7 6 100%
Contrabass Bass 15 0 5 5 50%
 
45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.
SDG
0:56 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
 
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%
 
44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%