Active Filters:
Measures: < 20
Participation: 50%-79%
Participation: 80%-99%
Play Time: 1:00 - 1:30
Play Time: 2:10 - 3:20
Unique Chords: None
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Come vivrai cor mio
Carlo Gesualdo
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 5 100%
Quinto Treble 12 0 2 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 5 100%
Quinto Treble 12 0 2 6 100%
Soprano Treble 12 0 2 5 100%
Bass Bass 8 0 0 5 88%
Tenor Treble 11 0 2 5 88%
 
Come son vivo
Antonio Morsolino
1:14 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 1 6 100%
Soprano
2		 Treble 7 0 1 6 100%
Soprano
1		 Treble 6 0 0 6 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 1 6 100%
Soprano
2		 Treble 7 0 1 6 100%
Soprano
1		 Treble 6 0 0 6 95%
 
climbing up the mountain
psf1712
1:05 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bajo Bass 11 0 3 6 100%
Alto Treble 6 0 2 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bajo Bass 11 0 3 6 100%
Alto Treble 6 0 2 6 96%
Soprano Treble 7 0 1 6 96%
Tenor Treble 4 0 1 6 96%
 
Come and Worship
nathaneal268
1:06 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 7 0 0 4 100%
B♭
Clarinet		 Treble 6 0 0 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 7 0 0 4 100%
B♭
Clarinet		 Treble 6 0 0 4 100%
B♭
Trumpet		 Treble 6 0 0 4 100%
Euphonium Treble 6 0 0 4 100%
Horn
in
E♭		 Treble 9 0 1 5 100%
Tenor
Saxophone		 Treble 9 0 2 4 100%
E♭
Tuba		 Treble 8 0 0 4 97%
Trombone Treble 8 0 0 4 97%
Tenor
Trombone		 Treble 3 0 0 4 12%
 
Concerto para dois mandolins em Sol Maior, RV 532, Andante
Carlos Henrique L. Jr.
2:10 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 12 0 3 9 100%
12 0 1 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 12 0 3 9 100%
12 0 1 3 100%
Violoncelo Bass 14 0 3 9 94%
Bass 13 0 1 3 100%
Contrabaixo Bass 13 0 1 3 100%
Violino Treble 9 0 0 3 100%
 
The Circassian Circle
Omniglot
1:04 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 8 0 0 2 100%
Harp Treble 8 0 0 2 94%
Bass 12 5 0 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 8 0 0 2 100%
Harp Treble 8 0 0 2 94%
Bass 12 5 0 3 89%
 
comptine
jiher
1:16 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 4 58%
Bass 6 0 0 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 4 58%
Bass 6 0 0 1 100%
 
Come, come, let us drink
sangerforum
1:12 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 12 0 2 4 100%
II Treble 10 0 2 4 100%
III Treble 10 0 0 3 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 12 0 2 4 100%
II Treble 10 0 2 4 100%
III Treble 10 0 0 3 92%
 
Come Unto These Yellow Sands
Shoichi
1:06 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 26 3 5 100%
Bass 10 4 0 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 26 3 5 100%
Bass 10 4 0 5 100%
Liuto Treble 15 26 3 5 94%
Voice Treble 12 0 2 5 83%
 
Christ the Lord Is Risen Today
footofthecross123
1:08 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 11 0 1 3 88%
Trombone Bass 8 0 0 4 88%
BaccidentalFlat
Trumpet		 Treble 10 0 0 3 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 11 0 1 3 88%
Trombone Bass 8 0 0 4 88%
BaccidentalFlat
Trumpet		 Treble 10 0 0 3 75%
 
43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
 
comptine pour video
jiher
1:16 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 4 58%
Bass 6 0 0 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 4 58%
Bass 6 0 0 1 100%
 
44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%