Active Filters:
Clef: TrebleTreble
Measures: < 20
Participation: 0%
Participation: 100%
Unique Durations: 6-7
Unique Accidentals: 2
Clear All Filters
AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Eros Yuri on Ice
NimaQ
0:14 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 5 100%
Treble 12 6 2 6 100%
Treble 14 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 5 100%
Treble 12 6 2 6 100%
Treble 14 0 2 3 100%
 
Ein Prosit der Gemütlichkeit
infanf
0:22 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 8 0 2 6 100%
B Bass 8 0 0 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 8 0 2 6 100%
B Bass 8 0 0 6 100%
Br Bass 9 0 0 6 100%
M Treble 6 0 1 5 100%
S Treble 8 0 0 5 100%
T Treble 10 0 2 6 100%
 
Es kostet viel, ein Christ zu sein
SDG
0:54 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 6 97%
Tenor/Bass Bass 17 0 4 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 6 97%
Tenor/Bass Bass 17 0 4 6 97%
 
En Esta Bella Hora
cecilia.s.novoa
0:22 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmonium Treble 10 0 2 6 100%
Bass 11 0 0 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmonium Treble 10 0 2 6 100%
Bass 11 0 0 6 67%
 
Easter flowers - Robert G. McCutchan
Real Jesus
0:27 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 6 100%
Bass 14 19 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 6 100%
Bass 14 19 2 6 100%
 
Each step of the way - A. J. Robertson
Real Jesus
0:41 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 21 2 6 100%
Bass 14 17 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 21 2 6 100%
Bass 14 17 1 6 100%
 
Endure to the end - John R. Sweney
Real Jesus
0:35 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 15 2 6 100%
Bass 12 15 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 15 2 6 100%
Bass 12 15 2 7 100%
 
Erasmus Widmann: Margaretha
alfred dünser
0:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altblockflöte Treble 6 0 1 4 100%
Bassblockflöte Bass 8 0 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altblockflöte Treble 6 0 1 4 100%
Bassblockflöte Bass 8 0 1 4 100%
Sopranblockflöte Treble 10 0 2 6 100%
Tenorblockflöte Treble 7 0 1 6 100%
 
EKG 488 Variation of Abide with Me (Herr bleib bei mir)
SlyDr
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
unbenannt Treble 13 0 2 7 100%
unbenannt1 Bass 17 0 2 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
unbenannt Treble 13 0 2 7 100%
unbenannt1 Bass 17 0 2 6 94%
 
94. Es wird schier der letzte Tag herkommen. BWV 310.
SDG
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 6 100%
Tenor/Bass Bass 19 0 4 7 100%
Contrabass Bass 15 0 2 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 6 100%
Tenor/Bass Bass 19 0 4 7 100%
Contrabass Bass 15 0 2 5 50%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%