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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Easy Living
leccionesdepiano
1:46 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 9 6 100%
Bass 23 13 8 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 9 6 100%
Bass 23 13 8 5 100%
 
Easy Living
leccionesdepiano
1:46 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 9 6 100%
Bass 23 13 8 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 9 6 100%
Bass 23 13 8 5 100%
 
The Entertainer - Guitars
Jesse David Sykes
1:11 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar
1		 Treble 22 19 5 3 100%
Guitar
2		 Treble 26 25 8 2 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar
1		 Treble 22 19 5 3 100%
Guitar
2		 Treble 26 25 8 2 94%
 
Ejemplos Serialismo
Sadiel Cuentas
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 10 4 100%
Bass 14 0 5 4 39%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 10 4 100%
Bass 14 0 5 4 39%
 
Erschienen ist der herrliche Tag - BWV 629
frlael
0:57 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 1 6 100%
Bass 9 0 0 5 95%
21 0 6 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 1 6 100%
Bass 9 0 0 5 95%
21 0 6 5 97%
 
80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
 
Ellens dritter gesang (Ave Maria), D.839
janiyaaaaa
3:46 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 25 9 11 100%
Bass 31 48 8 3 56%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 25 9 11 100%
Bass 31 48 8 3 56%
 
Easter flowers are blooming bright - George W. Stebbins
Real Jesus
0:34 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 1 4 100%
Bass 22 23 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 1 4 100%
Bass 22 23 3 2 100%
 
87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
Contrabass Bass 16 0 3 3 51%
Violoncello Bass 16 0 3 3 51%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
96. Es woll' uns Gott genädig sein. BWV 312.
SDG
0:01 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 5 50%
 
90. Es ist das Heil uns kommen her. BWV 117 #4/9
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
Contrabass Bass 18 0 4 3 48%
Violoncello Bass 18 0 4 3 48%
 
Endless Drop in G minor
WingYin Tang
0:46 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 9 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 9 2 100%
 
95. Es woll' uns Gott genädig sein. BWV 311.
SDG
1:19 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 18 0 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 18 0 5 4 50%