Play Along Piano

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From the Land of Sky-blue Water

Shoichi

2:39	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	28	12	6	100%
	24	21	6	5	97%
Voice	7	0	0	6	84%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	28	12	6	100%
	24	21	6	5	97%
Voice	7	0	0	6	84%

Gabrieli, Giovanni - Canzona (C194) for Recorder Quartet

twoflutes

3:16	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenorblockflöte	11	0	1	5	100%
Bassblockflöte	9	0	0	6	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenorblockflöte	11	1	5	100%
Bassblockflöte	9	0	6	98%
Altblockflöte	10	1	5	95%
Großbassblockflöte	10	0	6	90%

02 From Russia With Love

Richard2220

3:00	Est. Play Time
83	Measures
	2,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Elektrische piano, by	27	20	8	9	59%
Fretloze elektrische bas-gitaar, Richard2220	14	1	4	5	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Elektrische piano, by	27	20	8	9	59%
Fretloze elektrische bas-gitaar, Richard2220	14	1	4	5	99%
Draaiorgel	19	14	6	9	50%
	12	7	3	6	31%
Bas-klarinet, John Barry	16	14	3	8	46%
Vibrafoon, theme composed by	14	0	5	8	43%
Pad synthesizer, with Loveamp;quot;	13	0	4	4	29%
Cornet in A, arranged for MIDI	16	8	5	11	27%
Stem, amp;quot;From Russia	9	0	1	7	22%
	3	1	0	2	2%

Gebor'n ist uns Emmanuel (Prætorius) - SATB

sangerforum

2:12	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	0	7	91%
Bass	9	0	0	6	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	7	91%
Bass	9	0	6	91%
Soprano	10	1	7	91%
Tenor	9	1	8	91%

Georges F. Root, The Star of Bethlehem - pupitre Basse

fredipi

3:05	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
	7	4	0	3	13%
	19	12	2	4	95%
Alto	10	0	1	6	87%
Basse	10	0	1	6	87%
Soprano	13	1	2	6	87%
Tenor	9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Soprano

fredipi

3:05	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
	7	4	0	3	13%
	19	12	2	4	95%
Alto	10	0	2	6	87%
Bass	10	0	1	6	87%
Soprano	13	1	3	6	87%
Tenor	9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Alto

fredipi

3:05	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
	7	4	0	3	13%
	19	12	2	4	95%
Alto	10	0	4	6	87%
Bass	10	0	1	6	87%
Soprano	13	1	2	6	87%
Tenor	9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Tenor

fredipi

3:05	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	2	6	20%
	16	23	2	6	98%
	7	4	0	3	13%
	19	12	2	4	95%
Alto	10	0	1	6	87%
Bass	10	0	1	6	87%
Soprano	13	1	2	6	87%
Tenor	9	0	3	6	87%

From Now On (The Greatest Showman)

Aththariqqqq

2:30	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone	7	0	1	11	65%
	11	0	2	9	80%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone	7	0	1	11	65%
	11	0	2	9	80%
	10	0	2	9	84%
Baritone Horn	7	0	1	4	67%
	8	0	1	3	78%
	6	0	0	4	69%
B♭ Trumpet	11	1	1	7	55%
	8	0	1	7	53%
	8	0	1	8	53%
Tuba	7	0	0	5	53%
Marimba	16	21	2	8	49%
Timpani	8	0	1	6	43%
Vibraphone	18	20	3	10	41%
Glockenspiel	12	3	2	5	22%

Fridays For Future Symphony No. 1

Odo Sound

3:18	Est. Play Time
67	Measures
	3,257Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	0	2	54%
	21	25	0	7	61%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	0	2	54%
	21	25	0	7	61%
	0	0	0	0	0%
	3	1	0	2	25%
Flute 1	17	21	0	5	78%
Flute 2	18	21	0	5	78%
Violin 1	16	0	1	6	78%
Violin 2	13	0	1	6	67%
B♭ Clarinet 1	17	21	0	5	66%
B♭ Clarinet 2	16	21	0	5	66%
Contrabass	17	6	1	6	64%
Violoncello	16	6	1	6	64%
Xylophone	16	21	0	5	64%
F Horn 1 amp;amp; 3	16	4	0	6	63%
Viola	13	0	1	6	61%
F Horn 2 amp;amp; 4	14	3	1	6	58%
B♭ Trumpet 1	12	1	1	6	48%
Bassoon 1	12	1	0	6	48%
Oboe 1	12	1	0	6	48%
Oboe 2	8	1	0	6	48%
Timpani	6	0	0	5	48%
Electric Guitar	18	8	0	7	46%
Trombone 2	11	0	1	6	45%
Marimba	11	0	0	3	43%
Tuba	11	0	1	5	39%
	11	0	1	5	39%
Trombone 1	11	0	1	5	34%
Bassoon 2	12	1	0	7	33%
Glockenspiel	15	21	0	6	31%
B♭ Trumpet 2	10	0	1	6	25%