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Measures: 20 - 35
Play Time: 2:10 - 3:20
Unique Durations: 1-3
Unique Durations: 8-9
Unique Notes: 16 - 20
Unique Notes: > 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Grade 5 Flute Scales ABRSM 2018-2021
James Brigham
2:50 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 34 0 25 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 34 0 25 2 100%
 
Gottes Zeit ist die allerbeste Zeit. BWV 106
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Goodbyes
Xioxwolf
2:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 9 4 9 82%
Bass 19 7 3 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 9 4 9 82%
Bass 19 7 3 7 97%
 
Gottes Zeit ist die allerbeste Zeit
Josué Antonio Prieto Olivares
2:17 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 24 4 4 92%
Bass 16 0 4 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 24 4 4 92%
Bass 16 0 4 2 100%
Contrabasses Bass 15 0 4 2 85%
Violins
I		 Treble 17 0 5 5 85%
Violins
II		 Treble 19 0 5 5 85%
Violoncellos Bass 10 0 2 3 85%
 
Goudimel Psalms 122
Willem van der Til
2:18 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 16 0 3 3 98%
Bass 15 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 16 0 3 3 98%
Bass 15 0 2 3 100%
 
Goudimel Psalms 003
Willem van der Til
2:12 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 3 3 100%
Bass 16 0 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 3 3 100%
Bass 16 0 4 3 100%
 
Goudimel Psalms 048
Willem van der Til
2:10 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 3 3 100%
Bass 18 0 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 3 3 100%
Bass 18 0 4 3 100%
 
Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 4 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Grandes Etudes Op.7 - "An Extra Etude" by Josue Lackwood
Josué L.M
2:45 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 58 137 37 5 98%
Bass 48 62 29 3 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 58 137 37 5 98%
Bass 48 62 29 3 71%
 
Goodbye
[email protected]
2:43 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 18 3 0 9 86%
Treble 4 1 0 2 100%
Bass 5 1 0 3 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 18 3 0 9 86%
Treble 4 1 0 2 100%
Bass 5 1 0 3 97%