Active Filters:
Clef: BassBass
Measures: 20 - 35
Participation: 0%
Participation: 50%-79%
Unique Chords: None
Unique Notes: 16 - 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
I shame on mine unworthiness
John Dowland
1:06 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 16 0 6 7 97%
Soprano
2		 Treble 15 0 6 7 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 16 0 6 7 97%
Soprano
2		 Treble 15 0 6 7 97%
Tenor Treble 14 0 4 8 97%
Soprano
1		 Treble 14 0 5 7 88%
Bass Bass 16 0 6 8 76%
 
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
55 HTW P C
HTW1998
1:24 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 16 0 2 5 71%
Bass 16 0 2 5 78%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 16 0 2 5 71%
Bass 16 0 2 5 78%
Bassoon Bass 9 0 1 3 48%
Violoncello Bass 12 0 1 3 48%
Violin Treble 10 0 2 3 43%
Viola 5 0 1 2 39%
Oboe Treble 10 0 2 3 35%
 
I MUST LET YOU GO
sofischamo1
2:32 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 9 8 7 92%
Bass 10 11 7 4 92%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 9 8 7 92%
Bass 10 11 7 4 92%
Contrabajo Bass 13 0 8 8 84%
Violín Treble 12 0 7 9 79%
Violonchelo Bass 17 0 10 8 55%
Viola 18 0 11 8 53%
Trompeta
en
Do		 Treble 12 0 8 6 26%
Trombón Bass 9 0 5 6 21%
 
HWV56N38 - "How beautiful are the feet" - 1742
edward.maurath
2:24 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
Bass 15 22 4 5 92%
Violini Treble 18 0 4 8 92%
Contrabasses Bass 16 0 3 5 76%
Violoncelli Bass 17 0 3 5 76%
Soprano 12 0 3 6 68%
Cemballo Treble 17 25 4 5 60%
Bass 14 13 3 5 60%