Active Filters:
Measures: 20 - 35
Play Time: 2:10 - 3:20
Unique Durations: 1-3
Unique Durations: 8-9
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
I Felt a Cleaving in my Mind - for Orch
penne vodka
2:10 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 13 0 2 5 85%
Violoncellos Bass 16 2 2 6 76%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 13 0 2 5 85%
Violoncellos Bass 16 2 2 6 76%
Violins
II.		 Treble 15 0 2 6 73%
Contrabasses Bass 11 0 0 5 64%
Violins
I		 Treble 17 3 3 6 55%
Mezzo-soprano Treble 10 0 2 8 45%
Flutes Treble 10 9 1 6 42%
Harp Treble 16 14 0 3 39%
Bass 14 8 0 2 30%
Bass
Clarinet		 Bass 6 0 0 5 36%
Bassoons Bass 9 6 0 4 36%
Horns
I
amp;amp;
II		 Treble 13 10 4 5 36%
A
Clarinets		 Treble 9 6 0 6 30%
Oboes Treble 8 5 1 6 30%
Horns
III
amp;amp;
IV		 Treble 12 11 3 6 24%
Timpani Bass 2 0 0 4 21%
Marimba Bass 1 0 0 3 18%
Tuba Bass 3 0 0 4 18%
Glockenspiel Treble 5 0 0 3 9%
 
Il mondo è gli audaci
Giovanni Marciani
2:19 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 14 0 3 6 100%
Treble 0 0 0 0 0%
Soprano Treble 13 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 14 0 3 6 100%
Treble 0 0 0 0 0%
Soprano Treble 13 0 3 7 100%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
hynm for the gospel
Jordan J (Video Game Composer)
2:51 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 5 3 100%
Alto Treble 12 0 4 3 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 5 3 100%
Alto Treble 12 0 4 3 96%
Bass Bass 11 0 4 4 88%
Tenor Treble 12 0 4 3 80%
 
IL CARRO
Luca Livi
2:30 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 14 1 6 100%
Bass 20 2 2 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 14 1 6 100%
Bass 20 2 2 1 100%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
Ich steh mit einem Fuß im Grabe BWV 156
Black Dynamite IX
2:17 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 49 6 3 95%
Bass 14 0 0 4 100%
Viola 18 0 5 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 49 6 3 95%
Bass 14 0 0 4 100%
Viola 18 0 5 7 100%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%