Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Hymn (after a song of Wisdom) - Oh for a closer walk with God

Charles Villiers Stanford

3:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
org	30	39	10	5	94%
	21	50	3	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
org	30	39	10	5	94%
	21	50	3	5	97%
S	15	0	3	5	66%
T B	18	0	4	5	64%

I' temo di cangiar

Luca Marenzio

2:26	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	3	6	93%
Alto	11	0	3	4	81%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	3	6	93%
Alto	11	3	4	81%
Quinto	13	2	4	76%
Tenore	14	4	6	71%
Basso	11	1	4	68%
Sesto	11	1	3	53%

I Get Around by The Beach Boys

jarnowitz

2:14	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Vocals	21	0	8	4	90%
Bass	11	0	5	5	75%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Lead Vocals	21	8	4	90%
Bass	11	5	5	75%
Tenor	9	5	5	72%
Alto	10	4	5	70%
Soprano	15	7	5	70%

Il dolce sonno mi promise in pace

Jan Tollius

2:36	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	0	3	6	82%
Tenor 1	15	0	3	5	79%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	3	6	82%
Tenor 1	15	3	5	79%
Alto	17	6	5	77%
Soprano 1	17	4	5	77%
Tenor 2	16	3	5	77%
Bass	15	2	6	69%

I Can Go The Distance - Drum Corps Arrangement

BassTromboneEthan

2:36	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	2	1	38%
	0	0	0	0	0%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	2	1	38%
	0	0	0	0	0%
Sousaphone	15	9	5	7	82%
Baritone 1	11	1	4	7	79%
Baritone 2	12	7	4	7	79%
Baritone 3	14	2	5	7	74%
Mellophone 1	15	0	4	8	71%
Mellophone 2	17	0	5	8	71%
Organ	0	0	0	0	0%
	12	2	3	5	51%
	7	1	1	3	14%
B♭ Trumpet 2	10	0	3	8	43%
B♭ Trumpet 3	11	0	5	8	43%
B♭ Trumpet 1	9	1	2	7	41%
Timpani	9	1	2	3	34%
Solo Baritone	15	0	6	6	29%
B♭ Solo Trumpet	9	0	3	6	26%
Vibraphone	7	3	2	5	12%
Marimba	10	3	2	3	10%
	0	0	0	0	0%

Il vedervi e lasciarvi

Luzzasco Luzzaschi

2:36	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	6	88%
Quinto	11	0	1	6	79%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	6	88%
Quinto	11	1	6	79%
Tenore	13	1	7	78%
Canto	12	3	7	75%
Basso	12	1	7	60%

Ib Medley Symphonic Band

dentedwing

3:15	Est. Play Time
69	Measures
	2,015Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	23	0	6	6	78%
B Clarinet	16	0	3	7	78%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	23	0	6	6	78%
B Clarinet	16	0	3	7	78%
Flute	18	0	3	7	77%
Marimba	21	3	3	5	74%
	15	0	4	5	68%
Bass Clarinet	15	0	3	5	71%
F Tuba	12	0	4	4	71%
Trombone	16	0	4	6	71%
Euphonium	15	0	4	5	68%
Oboe	16	0	2	7	67%
Tenor Saxophone	18	0	4	5	66%
Baritone Saxophone	20	0	6	6	59%
Vibraphone	20	4	2	6	58%
Alto Saxophone	17	0	2	6	49%
B Trumpet	13	0	1	6	49%
Glockenspiel	16	0	2	6	49%
Horn	16	0	2	5	40%

I Got You (I Feel Good) by James Brown

Sebastián Muñoz 3

2:40	Est. Play Time
94	Measures
	2,518Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	2	3	3	88%
	18	9	4	3	90%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	2	3	3	88%
	18	9	4	3	90%
Saxofón contralto 1	13	0	4	5	97%
Saxofón barítono	13	0	3	5	96%
Saxofón contralto 2	13	0	3	4	96%
Clarinete en Si♭ 1	15	0	4	3	93%
Clarinete en Si♭ 2	14	0	3	3	93%
Saxofón tenor 1	16	0	5	7	93%
Bajo eléctrico	13	0	2	3	91%
Trompeta en Si♭ 2	12	0	3	7	90%
Trompeta en Si♭ 1	14	0	4	7	89%
Saxofón soprano	14	0	3	3	88%
Saxofón tenor 2	17	0	4	5	88%
Flauta	10	0	3	3	85%
Trombón	12	0	3	4	79%
Glockenspiel	10	0	3	7	66%

IL-2 Sturmovik German Theme Brass&Woodwinds

TheZodos

2:55	Est. Play Time
90	Measures
	1,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 1	13	0	8	6	100%
B♭ Trumpet 2	14	0	9	7	99%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 1	13	8	6	100%
B♭ Trumpet 2	14	9	7	99%
F Horn 1 amp;amp; 2	11	8	6	98%
F Horn 3 amp;amp; 4	11	8	6	98%
Baritone Saxophone	13	10	6	97%
Bass Clarinet	9	7	6	97%
Bassoon 1	7	5	6	97%
Trombone 1	12	9	6	97%
Trombone 2	10	7	6	97%
Trombone 3 amp;amp; Bass Trombone	13	10	6	97%
Tuba in B♭	7	5	6	97%
Tuba in E♭	8	6	6	97%
Alto Saxophone 1	11	6	6	96%
Alto Saxophone 2	11	6	6	96%
E♭ Clarinet	15	9	5	96%
Euphonium	16	10	6	96%
Tenor Saxophone	16	10	6	96%
B♭ Clarinet 1	11	6	5	71%
B♭ Clarinet 2	15	9	5	71%
Flute 1	10	6	4	71%
Glockenspiel	13	8	4	71%
Piccolo	13	8	4	71%
Oboe 1	8	4	2	51%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

Il Gardellino

RoseRodent

3:01	Est. Play Time
100	Measures
	2,074Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Recorder	20	0	7	7	87%
Contrabass Recorder	15	0	4	6	77%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Recorder	20	7	7	87%
Contrabass Recorder	15	4	6	77%
Tenor Recorder	17	5	6	76%
Greatbass Recorder	18	5	7	75%
Alto Recorder	16	3	6	74%
Soprano Recorder	15	2	6	72%
Solo Sopranino	7	0	2	4%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

I Love the Lord SATB

Conner Winder

2:32	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	11	2	2	6	100%
Bass	17	1	2	6	91%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	11	2	2	6	100%
Bass	17	1	2	6	91%
Alto	12	2	3	6	79%
Soprano	14	0	3	6	79%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%