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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.
SDG
1:02 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
 
Johann Anton Logy - Partita a-Moll - No_3 Sarabande
KlaBueBaer
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Nylon
Guitar		 Treble 24 5 6 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Nylon
Guitar		 Treble 24 5 6 6 100%
 
J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)
BSG
1:03 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
Soprano Treble 12 0 2 5 100%
Tenor Treble 13 0 3 5 100%
 
JESUS, KEEP ME NEAR THE CROSS
Merle Lamprecht
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 19 5 3 100%
Bass 15 9 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 19 5 3 100%
Bass 15 9 0 4 100%
 
Janfest 2016 Audition
LoganF99
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 35 0 13 9 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 35 0 13 9 100%
 
Jerusalem devoted to Keith Emerson
danilowroman
1:27 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo
a
canne		 Treble 17 14 3 7 97%
Bass 20 15 6 4 100%
Bass 11 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo
a
canne		 Treble 17 14 3 7 97%
Bass 20 15 6 4 100%
Bass 11 0 2 3 100%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia
Samuel Ricke
1:28 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
Continuo. Bass 16 0 4 5 100%
Viola
I.		 11 0 2 4 100%
Viola
II.		 14 0 4 5 100%
Violino
I.		 Treble 16 0 4 7 100%
Violino
II.		 Treble 12 0 3 5 100%
Violone. Bass 16 0 4 5 100%
 
195. Jesu, meine Freude. BWV 358.
SDG
1:14 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 23 0 7 4 100%
Contrabass Bass 17 0 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 5 6 100%
Tenor/Bass Bass 23 0 7 4 100%
Contrabass Bass 17 0 5 4 50%
 
200. Jesu, meine Freude, BWV 64 #8. Gute Nacht o Wesen.
SDG
1:03 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 14 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 14 0 4 4 50%
 
198. Jesu, meine Freude. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. BWV 227#3.
SDG
1:08 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 21 1 6 4 100%
Contrabass Bass 15 0 3 4 50%
 
197. Jesu, meine Freude. BWV 81#7. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. Johann Sebastian Bach.
SDG
1:13 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 15 0 3 4 50%
 
199. Jesu, meine Freude. Weg mit allen Schätzen, Du bist mein Ergötzen. BWV 277#7.
SDG
1:10 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 4 5 100%
Bass Bass 16 0 5 4 100%
Contrabass Bass 16 0 5 4 100%
Soprano Treble 12 0 2 5 100%
Tenor Treble 13 0 3 5 100%