Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

La Valse d' Amélie (Yann Tiersen) - Winds Ensemble

PianoFrancis

1:30	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	12	0	1	7	98%
Trombone	12	0	2	7	93%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	12	1	7	98%
Trombone	12	2	7	93%
C Tuba	9	1	6	85%
B Trumpet	9	1	7	63%

The Last of the Mohicans

Conostik

3:44	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	3	0	0	3	100%
Violin I	17	0	1	7	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	3	0	3	100%
Violin I	17	1	7	87%
Violoncello	3	0	3	66%
Violin II	15	1	4	59%
Viola	7	0	5	30%

La Réjouissance

David Bolton

2:15	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	12	5	5	96%
	13	0	3	5	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	12	5	5	96%
	13	0	3	5	95%
B Trumpet 1	10	0	1	5	67%
B Trumpet 2	7	0	0	5	63%

Là dove sono i pargoletti Amori

Luca Marenzio

2:28	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	15	0	5	7	99%
Quinto	16	0	5	6	93%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	15	5	7	99%
Quinto	16	5	6	93%
Sesto	14	4	6	81%
Alto	15	4	5	64%
Basso	13	1	7	55%
Tenore	11	1	7	54%

L'auro e i topaci

Luca Marenzio

2:04	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	2	6	92%
Alto	11	0	2	5	85%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	2	6	92%
Alto	11	2	5	85%
Quinto	12	1	6	73%
Tenore	11	1	6	66%
Basso	12	1	6	56%
Sesto	11	1	5	56%

Lauda Jerusalem

Juan Navarro Hispalensis

3:55	Est. Play Time
107	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	4	7	93%
Contr- alto	10	0	1	7	89%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	4	7	93%
Contr- alto	10	1	7	89%
Tiple (treble)	11	2	7	84%
Bajo (Bass)	13	1	7	79%

La meunière de Vernon

Clément Janequin

1:11	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	0	5	100%
Soprano	11	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	5	100%
Soprano	11	1	5	100%
Tenor	10	1	5	100%
Bass	9	1	5	79%

Lauda Jerusalem octavi toni

Giovanni Gastoldi

5:48	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	8	0	0	6	94%
Soprano	9	0	1	6	78%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	8	0	6	94%
Soprano	9	1	6	78%
Tenor 2	10	1	6	76%
Alto	10	2	6	74%
Bass	12	2	6	74%

Leggiadrissima eterna

Luca Marenzio

4:17	Est. Play Time
124	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	0	4	9	90%
Quinto	15	0	5	9	90%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	4	9	90%
Quinto	15	5	9	90%
Canto	13	3	9	89%
Sesto	14	4	8	84%
Basso	14	2	8	75%
Tenore	13	1	8	70%

La gloria se admire

José de Torres

3:08	Est. Play Time
127	Measures
	1,372Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	18	0	3	6	100%
Violin 1	20	0	3	5	96%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	18	3	6	100%
Violin 1	20	3	5	96%
Violin 2	19	3	5	94%
Alto/ (Tenor)	7	0	3	60%
Tiple 1 (Soprano)	9	1	3	60%
Tenor/ (Bajo)	11	2	3	59%
Tiple 2 (Alto)	10	2	3	59%
Alto	7	0	4	45%
Bajo	13	3	4	45%
Tenor	10	1	4	45%
Tiple	8	1	3	45%

Laudate Dominum (Ps. 147) a 15

Leonhard Lechner

3:48	Est. Play Time
114	Measures
	1,431Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	10	0	2	8	60%
	13	0	3	6	60%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	10	2	8	60%
	13	3	6	60%
	13	2	8	59%
	12	2	7	60%
	12	3	8	54%
	10	2	8	48%
	12	3	7	49%
	12	2	6	46%
	12	2	7	47%
	14	4	6	54%
	12	2	6	54%
	14	3	7	54%
	14	1	6	59%
	14	3	7	48%
	15	4	6	54%
	19	6	8	99%

Last Game Standing

Bass-Man Music

2:29	Est. Play Time
82	Measures
	2,245Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	7	5	7	90%
	1	0	0	3	63%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	7	5	7	90%
	1	0	0	3	63%
5-str. Electric Bass	15	0	5	5	67%
Dulcimer	18	6	4	7	58%
	1	0	0	3	63%
Marimba	6	1	1	3	54%
Sitar	11	0	4	5	50%
Violin	14	0	4	6	42%
B♭ Clarinet	9	0	2	3	33%
Flute	9	0	2	3	33%
Oboe	9	0	2	3	33%
Viola	4	0	0	1	25%
Violoncello	4	0	0	1	25%
Timpani	1	0	0	1	8%

La Primavera Spring by Antonio Vivaldi upravene partitura

Patrícia Patty Cavarová

3:04	Est. Play Time
70	Measures
	1,633Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3. Hlas	24	2	2	7	96%
1. hlas	15	0	2	7	90%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3. Hlas	24	2	2	7	96%
1. hlas	15	0	2	7	90%
Basy 1	13	0	1	5	87%
2. hlas	17	0	3	5	86%
Organ	13	22	2	5	81%
Basy 2	13	0	1	3	79%
Č. 1	13	2	1	3	79%
Č. 2	12	2	1	3	79%
Č. 3	11	2	1	3	79%
Čembalo	16	26	2	3	79%
4. hlas	12	0	2	6	69%