Play Along Piano

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Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

Monster's Inc.

Quinn McMath

1:54	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	16	0	4	8	97%
	23	0	8	9	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	16	4	8	97%
	23	8	9	95%
Bass Trombone	15	5	4	95%
Soprano Saxophone	19	5	10	95%
B♭ Trumpet	15	5	9	91%

Michail Jackson Smooth Criminal

Károly Nyirati

1:51	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
F Tuba	8	0	2	4	100%
BaccidentalFlat Cornet	12	0	2	5	97%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
F Tuba	8	2	4	100%
BaccidentalFlat Cornet	12	2	5	97%
Trombone	10	2	4	97%
Alto Saxophone	11	1	5	91%
Tenor Saxophone	12	3	5	91%
BaccidentalFlat Trumpet	12	1	2	76%
	16	3	3	84%
	14	2	6	84%

Misty-Trumpet Ensemble

A trumpet player CAN play a sax

2:06	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet 2	17	0	4	10	86%
Trumpet 6	20	0	8	10	86%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet 2	17	4	10	86%
Trumpet 6	20	8	10	86%
Trumpet 3	19	7	11	78%
Trumpet 4	22	8	9	78%
Trumpet 7	24	10	11	78%
Trumpet 5	21	7	8	76%
Trumpet 8	18	7	11	73%
Trumpet 1	17	4	10	62%

The Merrily Song for brass quintet

wdwmi34

1:09	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Euphonium	15	0	2	10	92%
Tuba	15	0	2	5	89%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Euphonium	15	2	10	92%
Tuba	15	2	5	89%
Horn in F	16	4	8	84%
B♭ Trumpet 2	15	2	10	82%
B♭ Trumpet 1	16	4	10	79%

Merry Christmas, Darling

Kerry Prest

0:01	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	4	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	4	10	93%

Minuet from Quintet No. 5 in A Major, Op. 11

Fake Your Death

3:09	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	19	0	4	5	96%
Violin II	14	0	1	4	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	19	4	5	96%
Violin II	14	1	4	93%
Violin I	18	2	5	91%
Violoncello I	18	1	3	91%
Violoncello II	14	0	3	84%

Messiah - Händel - 1.02 Comfort ye My people

Jwagner

4:03	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	16	0	3	6	95%
Viola	13	0	1	5	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	16	3	6	95%
Viola	13	1	5	92%
Violin I	16	3	7	92%
Violin II	16	3	5	92%
Tenor	14	4	6	84%

Messiah| No.39: Their Sound Is Gone Out

Pete Alan

1:21	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	4	6	100%
Viola	15	0	3	7	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	4	6	100%
Viola	15	3	7	100%
Violin 1	22	5	9	100%
Violin 2	21	5	8	100%
Oboe 1	16	4	8	95%
Soprano	14	3	7	95%
Tenor	13	3	5	95%
Oboe 2	16	2	7	92%
Bass	15	2	6	87%
Alto	9	1	7	84%

Minuet from Quintet No. 5 in E Major, Op. 11

Fake Your Death

3:09	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	19	0	4	5	96%
Violin II	14	0	1	4	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	19	4	5	96%
Violin II	14	1	4	93%
Violin I	18	2	5	91%
Violoncello I	18	1	3	91%
Violoncello II	14	0	3	84%

Messiah - Händel - 1.09 O thou that tellest good good tidings

Jwagner

1:19	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	0	4	4	100%
Violin I	23	0	4	5	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	4	4	100%
Violin I	23	4	5	100%
Violin II	23	4	5	100%
Viola	19	4	3	96%
Soprano	11	1	5	73%
Bass	14	2	4	67%
Tenor	9	1	5	67%
Alto	10	2	6	64%

Messiah - Händel - 2.39 Their sound is gone out into all lands

Jwagner

1:43	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	20	0	4	6	100%
Viola	15	0	3	7	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	20	4	6	100%
Viola	15	3	7	100%
Violin I	22	5	8	100%
Violin II	21	5	8	100%
Oboe I	16	4	8	95%
Soprano	14	3	7	95%
Tenor	13	3	5	95%
Oboe II	16	2	7	92%
Bass	15	2	6	87%
Alto	9	1	7	84%

Mind of the Brokenhearted - Woodwind Quartet

musicsensei22

2:09	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	27	0	0	10	95%
Bassoon	17	0	3	6	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	27	0	10	95%
Bassoon	17	3	6	91%
Oboe	12	0	7	81%
B♭ Clarinet	13	2	6	79%

Metropolis 1927 m337-End

Braden Whiteside

1:16	Est. Play Time
37	Measures
	1,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Repiano	12	0	4	5	97%
1st Horn	21	0	8	4	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Repiano	12	0	4	5	97%
1st Horn	21	0	8	4	100%
2nd Horn	20	0	8	7	100%
Flugelhorn	16	0	7	4	100%
Solo Horn	18	0	7	5	100%
1st Baritone	25	0	9	6	97%
2nd Cornet	16	1	4	5	97%
B♭ Bass	23	0	8	7	97%
E♭ Bass	19	5	7	7	97%
Solo Cornet	18	14	7	7	94%
	17	4	5	6	95%
2nd Baritone	21	0	7	6	94%
Euphonium	22	6	7	7	94%
Soprano Cornet	13	0	3	8	94%
3rd Cornet	14	0	4	5	92%
1st Trombone	17	0	5	6	89%
2nd Trombone	13	0	4	6	89%
Bass Trombone	16	0	4	6	89%
Vibraphone	26	0	8	4	72%
Xylophone	15	0	4	4	72%
Timpani	3	0	0	7	67%