Active Filters:
Measures: < 20
Participation: 1%-49%
Participation: 50%-79%
Participation: 80%-99%
Unique Accidentals: 3-4
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Vivaldi. Andante Em, from Concerto for 2 mandolins. arr. G.Dempsey
Gerry Dempsey
3:20 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 26 4 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 26 4 8 96%
 
Watermelon Man
FabianvanderKnaap
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bas-gitaar Bass 5 0 1 4 100%
Elektrische
gitaar		 Treble 9 0 3 4 100%
Alt-saxofoon Treble 10 0 3 3 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bas-gitaar Bass 5 0 1 4 100%
Elektrische
gitaar		 Treble 9 0 3 4 100%
Alt-saxofoon Treble 10 0 3 3 81%
 
Voor uw liefde Heer Jezus dank U wel. Let us break bread together on our knees. Arrangement: Gertim
SDG
0:35 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 17 0 4 5 100%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 5 100%
Tenor/Bass Bass 17 0 4 5 100%
Contrabass Bass 13 0 3 5 50%
 
Wat zal de wereld mooi zijn op die dag. Arrangement: Gertim (SDG)
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 4 100%
Contrabass Bass 12 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 4 100%
Contrabass Bass 12 0 3 4 50%
 
Waltz
JoeyC123
0:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 4 3 67%
Treble 5 3 0 1 94%
Bass 4 0 0 1 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 4 3 67%
Treble 5 3 0 1 94%
Bass 4 0 0 1 94%
 
Wat zal de wereld mooi zijn op die dag
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 4 100%
Contrabass Bass 12 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 4 100%
Contrabass Bass 12 0 3 4 50%
 
Vivaldi, Antonio - Grave from Trio Sonata RV 64 adapted for Oboe, Flute and Cello
twoflutes
1:26 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 17 0 4 6 100%
Violoncello Bass 19 0 3 4 100%
Oboe Treble 14 0 3 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 17 0 4 6 100%
Violoncello Bass 19 0 3 4 100%
Oboe Treble 14 0 3 6 93%
 
74. Waar zijn nu dood, uw macht en scherpe pijlen?
SDG
0:39 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 2 91%
T B Bass 15 0 3 2 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 2 91%
T B Bass 15 0 3 2 91%
 
324. Von Gott will ich nicht lassen. BWV 417.
SDG
0:53 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 4 4 50%