Play Along Piano

J. S. Bach: Wir Glauben all, an einen Gott, Vater, BWV 740

Clarin Pardo

4:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	0	2	5	50%
		18	0	2	5	50%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	0	2	5	50%
		18	0	2	5	50%
		24	0	8	6	99%
		24	0	8	6	99%
		21	0	6	8	94%
		21	0	6	8	94%

Robert de Visée - Allemande grave la Plainte

H. Gürtler

4:00	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	6	8	100%
		22	0	9	8	97%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	6	8	100%
		22	0	9	8	97%
Oboe		15	0	6	8	100%
Cembalo		0	0	0	0	0%
		22	0	9	8	97%

Nun komm', der Heiden Heiland BWV659 - Bach, Johann Sebastian

Bach, Johann Sebastian

4:32	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	9	9	84%
		26	0	7	8	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	9	9	84%
		26	0	7	8	96%

VIA DOLOROSA

willy00

3:20	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		17	0	1	8	100%
Violin II		17	0	1	8	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		17	0	1	8	100%
Violin II		17	0	1	8	96%

Ave Maria (Schubert) - for choir SATB and piano

CorrinB

4:00	Est. Play Time
30	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	42	9	2	100%
		19	13	2	2	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	42	9	2	100%
		19	13	2	2	100%
Soprano		12	0	3	9	80%
Alto		12	0	4	9	77%
Tenor		12	0	3	9	73%
Bass		8	0	2	9	70%

Allegro v1.07.03

kensington

6:48	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	72	6	4	100%
		17	0	3	7	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	72	6	4	100%
		17	0	3	7	100%
Continuo		17	0	3	7	100%
Oboe		16	0	3	8	100%
Viola		16	0	3	6	92%
Violin 2		16	0	3	8	92%
Violin 1		17	0	2	7	90%

Ave Maria

CorrinB

4:00	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	42	9	2	100%
		19	13	2	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	42	9	2	100%
		19	13	2	2	100%
A1 A2		15	0	4	10	91%
S		12	0	3	9	81%
Alt2		9	0	2	10	67%

Fugue in G-Major for chamber orchestra v1.10

kensington

4:29	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		16	0	4	8	84%
Violin II		16	0	4	7	78%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		16	0	4	8	84%
Violin II		16	0	4	7	78%
Viola		13	0	4	7	75%
Violoncello		14	0	3	7	72%
Oboe		12	0	1	7	51%
Bassoon		15	0	2	7	48%
Horn in F		12	0	0	6	38%
Flute		11	0	2	8	37%
Contrabass		7	0	1	8	34%
Bass Trombone		6	0	1	4	13%

Bagatelle no. 1 "Citrine" (Actual Clarinet Playing) [HSCC #8]

Dun Ought 3 - The Prisoner of Azkaban

3:45	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	22	14	4	92%
		23	3	10	3	90%
Clarinet in B♭		21	0	9	8	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	22	14	4	92%
		23	3	10	3	90%
Clarinet in B♭		21	0	9	8	81%

Tu es mon Autre, Rick allison, Lara Fabian, Mauranne

Benje

3:36	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2		6	0	0	1	91%
		10	13	1	7	93%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2		6	0	0	1	91%
		10	13	1	7	93%
Part_1		13	0	3	9	81%
Voix		12	0	1	9	81%

Fuga a 4 voci 0.05

kensington

4:24	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	5	8	89%
		18	0	5	7	85%
Pedal		7	0	1	5	23%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	5	8	89%
		18	0	5	7	85%
Pedal		7	0	1	5	23%

Concerto for piano and strings - III

leandrogb

3:23	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	14	7	100%
		49	0	22	7	95%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	14	7	100%
		49	0	22	7	95%
Violoncellos		31	0	15	8	90%
Violins		28	0	14	7	81%
		25	0	13	7	81%
Contrabasses		30	0	12	7	81%
Violas		33	0	14	7	76%

O Holy Night

NotBMaloney

3:52	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		7	0	0	8	100%
		13	0	1	8	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		7	0	0	8	100%
		13	0	1	8	97%
Baritone		7	0	1	8	100%
Bass		11	14	1	8	100%

Đường 1 chiều (đệm hát pro)

lucphampiano

3:30	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	13	0	5	98%
		17	11	0	6	98%
Voice		11	0	0	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	13	0	5	98%
		17	11	0	6	98%
Voice		11	0	0	8	89%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	29	5	6	100%
		23	32	5	7	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	29	5	6	100%
		23	32	5	7	100%
Harp Continuo		22	28	5	7	100%
		23	34	5	7	100%
Violoncello Continuo		20	0	4	7	100%
Sesto		14	0	3	8	83%
Contrabassi Continuo		9	0	0	4	8%
Violini		9	0	0	6	8%
Violoncelli Continuo		9	0	0	4	8%

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