Tags

Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
Suite Española, Gaspar Sanz
PreludeAndFugue
11:54 Est. Play
Time
425 Measures
1,784Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 32 35 8 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 32 35 8 6 97%
 
Ensalada "La Bomba", Mateo Flecha "El Viejo" 1481 - 1553
FarrierPete
7:24 Est. Play
Time
292 Measures
3,787Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 2 9 91%
Alto Treble 15 0 4 9 87%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 13 0 2 9 91%
Alto Treble 15 0 4 9 87%
Soprano Treble 14 0 4 9 87%
Bass Bass 14 0 3 9 87%
 
Schiarazula Marazula
Fermate
1:04 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 3 100%
Treble 6 0 0 3 100%
Treble 5 3 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 0 3 100%
Treble 6 0 0 3 100%
Treble 5 3 1 5 100%
 
Renaissance ''Danserey'', Antwerpen A.D.1551, Tilman Susato
FarrierPete
12:42 Est. Play
Time
225 Measures
5,060Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche Treble 13 0 2 7 98%
English
Horn		 Treble 15 0 3 7 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche Treble 13 0 2 7 98%
English
Horn		 Treble 15 0 3 7 98%
Oboe Treble 16 0 4 7 98%
Violoncello Bass 14 1 3 7 98%
Pauke Bass 12 12 0 7 73%
 
Adoramus te Christe (TTBB)
esmeadows
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
Bass Bass 8 0 1 5 94%
Tenor
1		 Treble 8 0 1 6 91%
 
Lachrimae Antiquae for Guitar Duo, John Dowland
PreludeAndFugue
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
 
What Then Is Love But Mourning
Bartók forever
0:39 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Countertenor Treble 7 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Countertenor Treble 7 0 1 4 100%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Anthony Holborne - The Fairy round - for guitar
Daniel Rubin
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
 
Canaris
Bartók forever
0:54 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
 
Meine Seel erhebt den Herrn
Bartók forever
0:24 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
N. Vicentino: Madonna, il poco dolce
intasei
1:19 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 6 100%
Contra 15 0 6 5 96%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 6 100%
Contra 15 0 6 5 96%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 3 6 96%
Bassus Bass 12 0 3 6 96%
 
Réveillez vous jeunes dames - Anonymous/Unknown - Anonymous/Unknown
Anonymous/Unknown
2:00 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 0 0 7 90%
Treble 10 0 0 7 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 8 0 0 7 90%
Treble 10 0 0 7 95%
Treble 9 0 1 6 95%
Bass 11 0 1 6 90%
 
Belle qui tiens ma vie - Arbeau, Toinot
Arbeau, Toinot
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 3 3 100%
Bass 11 0 0 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 3 3 100%
Bass 11 0 0 2 100%
Alto Treble 8 0 2 2 100%
Bass Bass 8 0 0 2 100%
Soprano Treble 9 0 2 3 100%
Tenor Treble 5 0 0 2 100%
 
Weep, O Mine Eyes - Bennet, John
Bennet, John
1:56 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 98%
Basse Bass 13 0 3 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 98%
Basse Bass 13 0 3 6 98%
Tenor Treble 10 0 2 6 98%
Soprano Treble 10 0 1 5 91%
 
J'ai le rebours - Certon, Pierre
Certon, Pierre
0:20 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 10 0 1 5 100%
B Bass 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 10 0 1 5 100%
B Bass 9 0 1 5 100%
S Treble 8 0 1 5 100%
T Treble 9 0 0 6 100%
 
Je vois de glissantes eaux - Costeley, Guillaume
Costeley, Guillaume
0:34 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 11 0 3 3 100%
S Treble 11 0 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 11 0 3 3 100%
S Treble 11 0 3 3 100%
T Treble 9 0 1 3 100%
B Bass 10 0 1 4 94%
 
The Silver Swan - Gibbons, Orlando
Gibbons, Orlando
0:41 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 0 6 100%
Baryton Bass 10 0 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 0 6 100%
Baryton Bass 10 0 1 6 100%
Basse Bass 12 0 1 6 100%
Soprano Treble 10 0 1 6 100%
Tenor Treble 11 0 2 6 100%