Play Along Piano

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Sesto

"Son nata a lagrimar" from HWV 17, Giulio Cesare in Egitto

edward.maurath

6:33	Est. Play Time
40	Measures
	1,153Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
Harpsichord	19	0	5	4	100%
	19	0	5	4	100%
Celli	19	0	5	4	100%
Kontrebaß	19	0	5	4	100%
Violoncello	19	0	5	4	100%
Violas	14	0	4	4	95%
Vln 1	23	54	7	5	95%
Sesto	14	0	5	5	74%
Cornelia	13	0	5	5	72%

"L' aure che spira tiranno e fiero" from "Giulio Cesare," HWV 17

edward.maurath

6:55	Est. Play Time
108	Measures
	1,899Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Harp (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Violoncello (Continuo)	23	0	6	6	94%
Bassoon (Continuo)	23	0	6	6	91%
Oboe	19	0	5	7	89%
Violini 1	23	0	5	5	89%
Violini 2	23	0	5	6	89%
Contrabassi (Continuo)	23	0	6	6	81%
Violoncelli (Continuo)	23	0	6	6	81%
Soprano as Sesto	17	0	5	7	69%
Bassoon (VLI)	19	0	2	5	46%
Viole	16	0	2	5	46%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
Harp	15	17	7	4	55%
	15	15	12	4	57%
Harpsichord	10	11	3	3	48%
	15	13	8	3	52%
Cornelia	12	0	4	4	48%

HWV17a1n29y1725 "Madre!"

edward.maurath

0:56	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	18	8	4	100%
	9	0	2	3	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	18	8	4	100%
	9	0	2	3	100%
Violoncello	9	0	2	3	100%
Sesto	11	0	4	3	93%
Harpsichord	6	2	2	1	14%
	2	0	1	2	14%
Cornelia	4	0	2	1	14%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
Harpsichord	21	2	4	5	100%
	24	10	7	6	100%
Celli	21	0	4	5	100%
Continuo	21	1	4	5	100%
Contrabasses	21	0	4	5	100%
Vln 1	23	0	5	5	98%
Vln 2	19	0	4	5	98%
Castrato as Sesto	15	0	3	6	80%
Flute	13	17	2	4	25%

HWV17A3N11Y1725 Sesto, "Sperai ne m'inganni"

edward.maurath

3:33	Est. Play Time
114	Measures
	1,491Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	23	29	7	9	69%
	19	2	4	7	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	23	29	7	9	69%
	19	2	4	7	99%
Cello	18	0	4	7	99%
Sesto	14	0	4	8	76%
Violini	20	0	4	9	70%
Violoncellos	17	0	3	7	68%
Violone	17	0	3	7	68%

HWV17A2N14Y1724 Sesto, "Langue offeso mai riposa" in c minor

edward.maurath

11:06	Est. Play Time
102	Measures
	1,997Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	40	8	7	100%
	25	45	8	6	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	40	8	7	100%
	25	45	8	6	99%
Harp	23	33	8	7	99%
	25	56	8	6	99%
Continuo	24	0	8	4	99%
Celli	23	0	8	5	82%
Kontrebaß	23	0	8	5	82%
Vln 1	23	0	8	8	82%
Soprano as Sesto	18	0	6	8	70%
Vln 2	23	0	7	7	63%
Violas	18	0	5	7	49%