Play Along Piano

Uploaders

Thomas Bateson

And must I needs depart then?

Thomas Bateson

2:50	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rehearsal	17	1	5	6	99%
	15	2	2	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rehearsal	17	1	5	6	99%
	15	2	2	6	96%
Alto	13	0	3	5	98%
Tenor	11	0	2	6	98%
Soprano I	11	0	2	6	95%
	13	0	4	6	96%
Bass	10	0	1	6	82%

Hark, hear ye not? (Oriana's Epitaph)

Thomas Bateson

3:51	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	1	3	6	86%
	10	0	2	6	90%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	1	3	6	86%
	10	0	2	6	90%
Alto	14	0	4	6	99%
Soprano I	16	0	5	6	92%
Practice	22	2	7	6	84%
Tenor	11	0	2	6	83%
Bass	12	0	1	6	81%

Ah, Cupid grant that I may never see

Thomas Bateson

3:57	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
	12	0	2	5	71%
Tenor	14	0	3	6	95%
Alto	11	0	2	5	86%
Bass I	13	0	3	6	82%
Soprano I	14	0	4	6	80%
Practice	18	4	6	6	74%

Dame Venus hence to Paphos go

Thomas Bateson

1:16	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	3	5	94%
	12	0	3	5	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	5	94%
	12	3	5	97%
Soprano I	13	4	5	100%
Alto	13	3	7	97%
Tenor	12	3	5	97%
Practice	18	5	7	92%

When Oriana walk'd

Thomas Bateson

3:36	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	3	6	79%
	13	0	4	6	89%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	3	6	79%
	13	0	4	6	89%
	13	0	2	6	75%
Alto	13	0	2	6	93%
Soprano I	15	0	4	6	92%
Tenor I	14	0	3	6	91%
Practice	17	2	4	6	85%
Bass	11	0	2	6	72%

Who prostrate lies

Thomas Bateson

1:34	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	85%
	10	0	1	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	85%
	10	0	1	6	100%
Soprano I	11	0	2	7	100%
Alto	14	0	2	5	98%
Tenor	9	0	1	6	98%
Bass	9	0	0	5	94%
Practice	16	1	3	7	82%

Camilla fair tripped o'er the plain

Thomas Bateson

2:48	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	5	93%
Soprano	12	0	2	6	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	5	93%
Soprano	12	2	6	87%
	12	2	6	89%
Tenor	12	3	6	82%
Bass	14	2	6	81%

Down from above

Thomas Bateson

1:38	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	1	6	6	98%
	15	1	2	6	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	1	6	6	98%
	15	1	2	6	90%
Alto	11	1	2	7	100%
Soprano	13	1	5	7	100%
Tenor	10	1	2	7	98%
Bass	13	1	1	6	86%

Down the hills Corinna trips

Thomas Bateson

2:52	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	16	3	4	6	99%
	16	1	3	6	94%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	16	3	4	6	99%
	16	1	3	6	94%
Alto	12	0	2	6	94%
Soprano I	12	0	2	6	92%
	12	0	2	6	93%
Tenor	12	0	2	6	90%
Bass	11	0	2	6	85%

Sister awake!

Thomas Bateson

2:10	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	15	41	3	6	99%
	14	11	1	6	92%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	15	41	3	6	99%
	14	11	1	6	92%
Soprano I	13	0	2	6	97%
	12	0	3	6	98%
Alto	10	0	1	6	92%
Tenor	10	0	0	6	89%
Bass	10	0	1	6	62%

Those sweet, delightful lilies

Thomas Bateson

3:24	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	0	4	6	97%
	15	0	6	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	0	4	6	97%
	15	0	6	6	99%
Tenor	12	0	2	6	100%
Soprano 1	14	0	6	6	99%
Alto	13	0	3	6	98%
Practice	21	2	7	6	95%
Bass	10	0	2	6	89%

Whither so fast

Thomas Bateson

1:53	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	6	91%
Alto	11	1	2	7	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	6	91%
Alto	11	1	2	7	100%
Tenor	10	1	1	7	100%
Soprano	11	1	3	7	96%
Practice	16	0	4	6	94%
Bass	10	1	1	7	65%

Phyllis, farewell

Thomas Bateson

2:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	4	6	96%
	13	0	0	6	95%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	4	6	96%
	13	0	0	6	95%
Tenor	10	1	0	7	100%
Alto	11	1	2	7	96%
Soprano	11	1	3	7	96%
Bass	12	1	0	7	94%

If Love be blind

Thomas Bateson

1:44	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	1	4	6	87%
	13	0	3	6	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	1	4	6	87%
	13	0	3	6	90%
Alto	11	1	2	7	100%
Tenor	12	1	3	7	100%
Bass	10	1	1	7	98%
Soprano	13	1	3	7	96%