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Clef: BassBass
Play Time: 1:00 - 1:30
Unique Durations: 4-5
Unique Durations: 8-9
Unique Accidentals: 3-4
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Bach
Wer nur den lieben Gott lässt walten (Choral) BWV 691
Bartók forever
1:00 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
 
Minuet in D Minor
mauvecat
1:24 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 16 0 3 4 100%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J.S. Bach: Unter deinen Schirmen (BWV 227, #3)
BSG
1:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 2 5 100%
Treble 10 0 3 4 100%
Alto Treble 10 0 1 5 100%
Bass Bass 14 0 3 4 100%
Tenor Treble 13 0 4 4 100%
 
Aria in D Minor
mauvecat
1:07 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 6 100%
Bass 17 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 6 100%
Bass 17 0 3 4 100%
 
Stölzel: Menuett in G minor
PianoXML
1:28 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 20 5 4 100%
Bass 17 7 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 20 5 4 100%
Bass 17 7 4 4 100%
 
26. Gott, wie gross ist deine Güte. Schemelli/Bach. BWV 462. Inner voices: Gertim (SDG)
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
 
J. S. Bach Invention 3 BWV 774 arr. for Cello and Bassoon
Georg Pfeifer
1:03 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 19 0 3 5 100%
Fg Bass 26 0 6 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 19 0 3 5 100%
Fg Bass 26 0 6 5 95%
 
Chorale Prelude: "Herr Jesu Christ dich zu nus wend'" - J.S. Bach
Gabriel Ackerman
1:02 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 9 4 6 100%
Bass 16 0 4 5 87%
Bass 2 0 0 2 42%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 9 4 6 100%
Bass 16 0 4 5 87%
Bass 2 0 0 2 42%
 
Minuet in C Minor
mauvecat
1:18 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 5 5 100%
Bass 12 4 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 5 5 100%
Bass 12 4 3 5 100%
 
Minuet in D Mijnor
mauvecat
1:24 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 16 0 3 4 100%
 
Bach - Wachet auf, ruft uns die Stimme. (Chorus I.) {Unfinished.}
Jamie Holdham
1:16 Est. Play
Time
123 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 21 0 4 6 100%
Harpsichord Treble 19 0 3 4 97%
Bass 19 0 3 4 97%
Bassoon Bass 19 0 3 4 97%
Continuo. Bass 19 0 3 4 97%
Oboe
I.		 Treble 14 0 2 6 97%
Organ Bass 19 0 3 4 97%
Oboe
II.		 Treble 13 0 1 6 76%
Violino
II		 Treble 13 0 1 5 71%
Taille. Treble 11 0 0 5 65%
Viola. 15 0 3 5 65%
Soprano. 7 0 0 1 47%
Alto. 10 0 1 4 32%
Tenore. 9 0 0 5 32%
Basso. Bass 11 0 0 4 24%
 
Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"
edward.maurath
1:10 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
Contrabass (Continuo) Bass 14 0 4 4 100%
Viole Alti
 12 0 3 4 100%
Viole

Tenore		 15 0 4 5 100%
Violini
1		 Treble 16 0 4 7 100%
Violini
2		 Treble 12 0 3 5 100%
Violoncello (Continuo) Bass 16 0 4 4 100%
 
Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"
edward.maurath
1:10 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
Contrabass (Continuo) Bass 14 0 4 4 100%
Viole Alti
 12 0 3 4 100%
Viole

Tenore		 15 0 4 5 100%
Violini
1		 Treble 16 0 4 7 100%
Violini
2		 Treble 12 0 3 5 100%
Violoncello (Continuo) Bass 16 0 4 4 100%
 
329. Wachet auf, ruft uns die Stimme. BWV 140 #7.
SDG
1:24 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 4 100%
Tenor/Bass Bass 17 0 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 4 100%
Tenor/Bass Bass 17 0 4 4 100%
Contrabass Bass 15 0 3 3 50%
Violoncello Bass 15 0 3 3 50%