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Bach

Red Like Roses for String Quartet from RWBY

pockies

3:38	Est. Play Time
151	Measures
	1,363Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	24	0	1	11	96%
Violin I	22	1	1	9	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	24	0	1	11	96%
Violin I	22	1	1	9	92%
Violin II	17	1	0	10	91%
Violoncello	21	1	3	7	85%

The Melt by Hatsune Miku

Kun-Desu

4:15	Est. Play Time
177	Measures
	2,289Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	21	0	5	7	99%
Violin I	27	9	3	8	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	21	0	5	7	99%
Violin I	27	9	3	8	98%
Violin II	28	10	7	6	97%
Contrabass	19	0	5	6	95%
Viola	25	3	4	6	93%

The Twelve Days of Christmas - Male A Cappella

Jesse David Sykes

5:47	Est. Play Time
216	Measures
	2,376Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	20	0	1	10	97%
	15	0	2	8	83%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	20	1	10	97%
	15	2	8	83%
Baritone	12	2	9	95%
Bass	15	3	8	76%

14 Canons (BWV 1087) - J. S. Bach

Stephen Calgaro

12:03	Est. Play Time
204	Measures
	1,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	6	0	0	3	4%
	19	0	5	5	19%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	6	0	3	4%
	19	5	5	19%
	23	6	6	76%
	20	4	6	92%
	20	2	5	53%
	17	2	4	93%

Worst thing Humanly possible

IGitzDiz

34:11	Est. Play Time
365	Measures
	8,755Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	6	0	5	7	100%
Piccolo	30	48	4	25	100%
Viola	9	7	6	10	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	6	0	5	7	100%
Piccolo	30	48	4	25	100%
Viola	9	7	6	10	100%

Buxtehude - Chaconne in C Minor. {Professional production full score.} Unfinished.

Jamie Holdham

3:33	Est. Play Time
153	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	8	9	92%
	16	2	4	7	68%
	17	0	6	7	62%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	8	9	92%
	16	2	4	7	68%
	17	0	6	7	62%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.	21	87	7	3	92%
	22	0	6	4	100%
Contrabass	22	0	6	4	100%
Vcl	22	0	6	4	100%
Alto	18	0	6	6	91%
Basso	19	0	6	5	86%
Soprano	14	0	4	6	78%
Tenor	14	0	4	5	75%
Trombone	17	1	6	6	53%
	21	8	6	5	57%
Viola	14	0	4	5	46%
Violin 2	17	0	6	6	44%
Bassoon	18	0	5	4	41%
Oboe	10	0	3	3	29%
Violin 1	9	0	2	1	27%

Passacaglia in C minor REVISED

Eduard Gutierrez Flores

11:13	Est. Play Time
169	Measures
	3,301Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelos	25	2	6	7	87%
Contrabajos	16	0	4	5	80%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violonchelos	25	2	6	7	87%
Contrabajos	16	0	4	5	80%
Violas	25	0	7	9	75%
Saxofón barítono	20	0	4	7	73%
Violines 1	25	0	8	8	71%
Violines 2	22	0	6	8	70%
Fagot	23	0	5	6	63%
Saxofón contralto	24	0	7	7	54%
Clarinete en Si♭	26	22	6	7	53%
Flauta	21	13	6	9	52%
Saxofón soprano	23	0	8	9	51%
Oboe	22	0	7	9	41%
2 Trombones	12	12	2	5	35%
2 Cornos en Fa	18	20	2	5	35%
Tuba	13	0	1	4	35%
Trompeta 1 en Si♭	11	0	1	6	23%
Timbal de concierto	2	0	0	6	21%
Saxofón tenor	16	0	4	5	17%
Trompeta 2 amp;amp; 3 en Si♭	18	17	4	4	15%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
Violas	21	0	10	7	76%
Violins 2	27	0	11	8	75%
Horn in F	22	0	7	8	47%
1.2. Clarinet in B	29	2	10	6	47%
Flute	24	0	10	8	42%
Trumpet in B	24	0	7	8	38%
Oboe	32	0	13	7	36%
Solo Viola	35	14	16	10	27%
Solo cello	32	7	17	10	24%
Timpani	11	0	4	6	12%

HWV248N29 "Herr, dein Mitleid, dein Erbarmen"

edward.maurath

9:59	Est. Play Time
167	Measures
	1,575Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	76	9	5	93%
	29	18	11	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	76	9	5	93%
	29	18	11	4	100%
Bassoon Continuo	26	0	10	4	100%
Oboe 1 d'amore	19	0	7	6	91%
Oboe 2 d'amore	22	0	7	6	86%
Soprano	17	0	4	6	63%
Bass	18	0	6	6	61%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

Chorus "Sei nun wieder zufrieden" from BWV 21

edward.maurath

6:45	Est. Play Time
151	Measures
	1,577Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi Continuo	19	0	5	4	100%
Violoncelli Continuo	22	0	6	4	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi Continuo	19	0	5	4	100%
Violoncelli Continuo	22	0	6	4	100%
Organo Continuo	17	63	6	5	99%
Alti	18	0	6	7	91%
Bassi	19	0	6	5	85%
Soprani	14	0	4	6	78%
Tenori	14	0	4	5	75%
Trombone	17	0	6	6	43%
	18	0	5	4	41%
	14	0	4	6	46%
Viola	14	0	4	6	46%
Violin 2	17	0	6	6	43%
Fagotto	18	0	5	4	41%
Cornet at concert pitch	9	0	2	1	27%
Oboe	9	0	2	1	27%
Violin 1	9	0	2	3	27%