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Bach

Bach, Magnificat BWV 243: Et Misericordia

Mélisande

2:20	Est. Play Time
35	Measures
	1,143Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
	18	5	7	4	89%
Viola	21	0	9	4	89%
A	16	0	6	3	74%
T	15	2	5	3	74%

Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.

SDG

5:01	Est. Play Time
85	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia	21	6	6	100%
Continuo	22	7	3	99%
Soprano	19	7	3	59%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia	21	6	6	100%
Continuo	22	7	3	99%
Soprano	19	7	3	59%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
Violoncello	10	0	2	2	74%
Flute	16	0	3	3	69%
B Clarinet	15	0	5	1	51%
Bassoon	7	0	0	1	46%
Contrabass	7	0	2	1	43%
F Tuba	5	0	0	1	37%
Trombone	11	0	1	3	37%
Horn	8	0	4	2	34%
Harp	15	1	2	2	31%
	9	1	1	5	21%
B Trumpet	9	0	3	1	20%
Oboe	4	0	1	2	20%
Timpani	7	0	1	3	20%

Vigo Kovačić - Crab Canon No. 1

Vigo Kovačić

0:42	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavir		16	0	6	3	100%
		16	0	6	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavir		16	0	6	3	100%
		16	0	6	3	50%

J. S. Bach Brandenburg 6 3rd Movement

J. Tsai

5:45	Est. Play Time
111	Measures
	2,596Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Solo Viola I	28	0	9	7	100%
Solo Viola II	28	0	10	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Solo Viola I	28	0	9	7	100%
Solo Viola II	28	0	10	5	100%
Harpsichord	21	58	6	3	70%
	25	15	7	4	99%
Cello	25	0	7	4	99%
Bass	15	0	3	4	74%
Viola I	18	0	4	3	71%
Viola II	15	0	2	3	70%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

18. Es glänzet der Christen inwendiges Leben. BWV 456.

SDG

1:40	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	0	4	6	97%
Tenor/Bass	18	0	4	6	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	6	97%
Tenor/Bass	18	4	6	97%
Contrabass	18	3	3	50%
Violoncello	18	3	3	50%

Fugue for Violin, Cello and Double Bass [Original]

Verlenzius

1:29	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	3	5	100%
Violin	15	3	4	83%
Contrabass	16	2	3	65%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	3	5	100%
Violin	15	3	4	83%
Contrabass	16	2	3	65%

Bach - Jauchzet, frohlocket! {Professional production full score.} Unfinished.

Jamie Holdham

0:19	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	0	4	77%
Fagotto, Organo e Continuo.	15	0	4	3	76%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	4	77%
Fagotto, Organo e Continuo.	15	4	3	76%
Violino I.	20	5	3	69%
Violino II.	20	5	3	69%
Flauto traverso I.	8	2	5	62%
Flauto traverso II.	10	3	5	62%
Tromba I.	8	0	3	62%
Oboe I.	9	3	5	54%
Oboe II.	8	2	5	54%
Tromba II.	8	0	3	54%
Viola.	10	3	3	54%
Tromba III.	6	0	3	46%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	0	4	4	100%
Tenor/Bass	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	4	4	100%
Tenor/Bass	19	5	4	100%
Contrabass	17	4	3	50%
Tenor	2	0	2	4%

26. Auf meinen lieben Gott (Wo soll ich fliehen hin), BWV 89.6. Johann Sebastian Bach.

SDG

0:37	Est. Play Time
13	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	24	4	3	100%
Contrabass	17	3	3	52%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	24	4	3	100%
Contrabass	17	3	3	52%

21. Als Jesus Christus in der Nacht, BWV 265. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	22	5	5	100%
Contrabass	16	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	22	5	5	100%
Contrabass	16	2	3	50%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%

56. Das alte Jahr vergangen ist. BWV 289.

SDG

0:01	Est. Play Time
13	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	7	2	100%
Tenor/Bass	25	10	2	100%
Contrabass	18	6	2	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	7	2	100%
Tenor/Bass	25	10	2	100%
Contrabass	18	6	2	50%