Play Along Piano

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Bach

BWV 243 10.Suscepit Israel

aspasd

1:51	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I.		16	0	4	5	100%
Violoncelo		18	0	4	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I.		16	0	4	5	100%
Violoncelo		18	0	4	3	100%
Alto.		14	0	4	5	97%
Soprano II.		15	0	5	5	89%
Oboe I./II.		7	0	0	1	78%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

Ария

valleo

1:00	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	100%
		18	0	4	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	100%
		18	0	4	3	100%

2. Auf, auf! die rechte Zeit ist hier. Schemelli Lieder, J.S. Bach, BWV 440.

Gertim

0:40	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	1	4	100%
T B		17	0	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	1	4	100%
T B		17	0	3	2	100%

Brandenburg Concerto 6 mvt. 3 - Basso Continuo part

MauroC

3:14	Est. Play Time
66	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		16	0	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		16	0	3	3	100%

BWV248N6 "Und sie gebar ihren ersten Sohn”

edward.maurath

0:22	Est. Play Time
6	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	9	3	5	100%
		9	0	2	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		12	9	3	5	100%
		9	0	2	3	100%
Bassoon		9	0	2	3	100%
Evangelista		16	0	4	3	83%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	0	3	4	97%
Violin		16	0	4	3	89%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		11	0	3	4	97%
Violin		16	0	4	3	89%
Violoncello		10	0	2	2	74%
Flute		16	0	3	3	69%
B Clarinet		15	0	5	1	51%
Bassoon		7	0	0	1	46%
Contrabass		7	0	2	1	43%
F Tuba		5	0	0	1	37%
Trombone		11	0	1	3	37%
Horn		8	0	4	2	34%
Harp		15	1	2	2	31%
		9	1	1	5	21%
B Trumpet		9	0	3	1	20%
Oboe		4	0	1	2	20%
Timpani		7	0	1	3	20%

bach-chorale 8 (bwv-40) choir+ string orchestra

Astrel

1:34	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		19	0	4	3	100%
Bass		15	0	3	3	90%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		19	0	4	3	100%
Bass		15	0	3	3	90%
Contrabasses		19	0	3	3	90%
Mezzo-soprano		9	0	2	4	90%
Soprano		10	0	2	4	90%
Tenor		12	0	4	4	90%
Violas		9	0	2	4	70%
Violins		9	0	2	4	70%
Violoncellos		11	0	3	4	70%
Viola		6	0	1	3	20%
Violin		7	0	1	4	20%
Violoncello		7	0	2	4	20%

Oeuvre pour Chœur et Orchestre - Introduction pub1

Zorglub Degaulle

1:21	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		19	0	4	3	100%
Flûte		16	10	4	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		19	0	4	3	100%
Flûte		16	10	4	5	100%
Hautbois		15	9	4	5	100%
Violon 1		26	16	8	5	100%
Violon 2		21	0	7	2	100%
Basson		17	0	5	5	96%
Violoncelle		24	15	8	5	96%

Orchestral Suite No. 2 in B Minor, BWV 1067 VII. Badinerie

Nevin Williams

1:22	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	62	7	3	100%
		22	0	5	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	62	7	3	100%
		22	0	5	3	100%
Violin		15	0	5	4	100%
		18	0	4	5	100%
Contrabass		22	0	5	3	100%
Viola		16	0	3	3	100%
Violoncello		22	0	5	3	100%
Flute		18	0	5	5	99%

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