Play Along Piano

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Bach

Jesu, Joy of Man's Desiring - Bach - Brass Quintet!

Iowabob

2:45	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	0	2	5	100%
Tuba	16	0	3	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	2	5	100%
Tuba	16	3	5	100%
B♭ Trumpet	16	2	4	97%
	25	8	4	97%
Trombone	7	1	4	45%

The Gale for Flute and Violin

Kanowitz

1:59	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	13	0	2	4	88%
Violin	13	0	3	4	86%
Guitar	17	14	3	6	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	13	0	2	4	88%
Violin	13	0	3	4	86%
Guitar	17	14	3	6	74%

(WIP) Bach - BWV. 1067 - Orchestral Suite No. 2 in B minor - Badinerie (B minor)

Erisceres

0:33	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	29	4	2	100%
	12	0	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	29	4	2	100%
	12	0	1	3	100%
Contrabass	12	0	1	3	100%
Flute	14	0	3	4	100%
Viola	10	0	1	2	100%
Violin I	13	0	3	5	100%
Violin II	10	0	3	2	100%
Violoncello	12	0	1	3	100%

Rezitativ und Arie from BWV 82

Bartók forever

6:44	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	19	32	5	6	16%
	25	43	9	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	19	32	5	6	16%
	25	43	9	6	100%
	24	0	9	6	98%
Sopran	18	0	7	8	96%

Prelude and Finale

TheFronj16s

2:50	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	17	0	4	9	88%
	20	1	5	8	95%
	20	0	5	8	99%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	17	0	4	9	88%
	20	1	5	8	95%
	20	0	5	8	99%

Bach Fugue nº 2 in C minor BWV 847 Well Tempered Clavier Saxophone Trio

Leverkhun

1:35	Est. Play Time
31	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Sax	23	7	4	100%
Soprano Sax	23	8	4	94%
Tenor Sax	23	8	5	81%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Sax	23	7	4	100%
Soprano Sax	23	8	4	94%
Tenor Sax	23	8	5	81%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	5	5	100%
Soprano	18	0	6	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	5	5	100%
Soprano	18	6	6	99%
	16	5	5	98%
Alto	12	2	3	36%

C.P.E. Bach: Polonaise in G Minor

jrd2014

1:04	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	25	3	1	7	98%
	16	2	3	3	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	25	3	1	7	98%
	16	2	3	3	98%
Flute	17	0	2	5	98%
Oboe	12	0	1	6	98%
Viola	16	0	2	5	95%
Violoncello	15	2	4	3	93%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
Continuo	20	0	5	3	99%
Violoncello	20	0	5	3	99%
Tenors	10	0	0	6	45%

14 Canons on the Goldberg Ground BWV 1087

StephenM

8:12	Est. Play Time
143	Measures
	1,217Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	0	6	5	93%
	32	0	8	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	6	5	93%
	32	8	5	96%
	24	3	4	69%
	22	3	5	46%
	10	0	3	23%

Jesus Bleibet Meine Freude

SkGnam

3:07	Est. Play Time
74	Measures
	2,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	0	3	5	100%
Oboe	22	0	7	3	94%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	3	5	100%
Oboe	22	7	3	94%
Viola	13	2	5	94%
Violins 1	22	7	3	94%
Violins 2	16	3	4	94%
Alto	8	2	4	45%
Bass	12	1	4	45%
C Trumpet	7	1	6	45%
Soprano	7	1	6	45%
Tenor	8	1	4	45%

Johann Sebastian Bach - El arte de la fuga: Contrapunctus 5

Mitocondria

3:00	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	0	9	6	97%
Violin II	23	0	8	6	93%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	9	6	97%
Violin II	23	8	6	93%
Violin I	24	10	6	90%
Viola	21	7	6	84%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	3	5	100%
	13	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	3	5	100%
	13	2	4	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	13	2	4	100%
Contrabass	10	2	3	50%

Nun danket alle Gott - Johann Sebastian Bach

Micrologus

0:40	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Trumpet	7	0	1	7	100%
	7	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BaccidentalFlat Trumpet	7	1	7	100%
	7	1	4	100%
Horn	8	1	6	100%
Trombone	12	1	4	100%

Fugue No. 9 in E major - Guitars

Jesse David Sykes

2:47	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar 3	16	0	5	6	98%
Guitar 4	21	4	5	5	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar 3	16	0	5	6	98%
Guitar 4	21	4	5	5	98%
Guitar 2	19	0	6	5	93%
Guitar 1	16	0	3	5	88%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%

Musette in D

emeraldimp

0:20	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	10	0	2	3	100%
	14	0	2	3	85%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	10	2	3	100%
	14	2	3	85%
Alto Flute	8	1	4	100%
Piccolo	11	3	3	95%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	5	100%
Bass	17	0	5	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	5	100%
Bass	17	5	3	100%
Contrabass	17	5	3	100%
Soprano	8	0	4	100%
Tenor	9	1	4	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

In dulci Jubilo BWV 368

musiescola

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	100%
Bass	13	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	2	5	100%
Bass	13	1	4	100%
Soprano	8	0	5	100%
Tenor	10	2	5	100%