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Bach
The Twelve Days of Christmas - Male A Cappella
Jesse David Sykes
5:47 Est. Play
Time
216 Measures
2,376Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 20 0 1 10 97%
Treble 15 0 2 8 83%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 20 0 1 10 97%
Treble 15 0 2 8 83%
Baritone Bass 12 0 2 9 95%
Bass Bass 15 0 3 8 76%
 
Prelude and Finale
TheFronj16s
2:50 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trumpet		 Treble 17 0 4 9 88%
Treble 20 1 5 8 95%
Treble 20 0 5 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B
Trumpet		 Treble 17 0 4 9 88%
Treble 20 1 5 8 95%
Treble 20 0 5 8 99%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
Prelude in C minor by J.S. Bach (BWV 549) for brass quintet
Nednedflanders
2:04 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
Treble 14 0 5 7 72%
Trombone Bass 15 0 5 6 62%
Horn
in
F		 Treble 14 0 4 8 52%
 
J. S. Bach - Air dalla Terza suite (trascr. per violoncello)
Micrologus
2:24 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello 14 0 5 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello 14 0 5 8 100%
 
Bach - Suite No.1 (for tenor recorder)
amfem
13:48 Est. Play
Time
221 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauta
de
bisel
tenor		 Treble 27 0 13 9 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauta
de
bisel
tenor		 Treble 27 0 13 9 99%
 
Invention No 2 in C minor BWV 773
jvorosmarti
1:48 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 5 9 100%
Bass 25 0 4 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 5 9 100%
Bass 25 0 4 7 93%
 
Air on the G String for piano and vibes
FortePiano11
1:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 6 5 6 100%
Bass 25 0 8 3 100%
Vibraphone Treble 22 43 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 6 5 6 100%
Bass 25 0 8 3 100%
Vibraphone Treble 22 43 6 8 100%
 
BWV 1001.2 - Sonata 1 - Violino Solo - FUGA
aspasd
5:27 Est. Play
Time
94 Measures
1,025Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P1 Treble 35 13 14 9 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P1 Treble 35 13 14 9 76%
 
I. S. Bach. Italian Concerto 1 BWV 971 part 2
xjossy
3:01 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 8 94%
Bass 29 0 7 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 8 94%
Bass 29 0 7 4 100%
 
Aria from BWV 988
Bartók forever
2:21 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
Klavier Treble 16 1 3 13 100%
Bass 22 0 4 10 72%
 
Wachet auf, ruft uns die Stimme, BWV 645.
SDG
3:57 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
 
Adagio in G Major - J. S. Bach, BWV 968
Musemeister
3:24 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 25 42 9 10 99%
Bass 38 2 17 8 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 25 42 9 10 99%
Bass 38 2 17 8 83%
 
A Bach Choral with Sheep May Safely Graze, made less SAFE for the Sheep
Threespot@aol.com
1:27 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 21 6 3 11 68%
Bass 29 9 6 8 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 21 6 3 11 68%
Bass 29 9 6 8 90%
 
Bist du bei mir - Stölzel (Notebook for Anna Magdalena Bach)
helen0brien
1:07 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 8 100%
Bass 19 0 5 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 8 100%
Bass 19 0 5 3 100%