Active Filters:
Clef: TrebleTreble
Measures: 20 - 35
Unique Chords: 3-6
Unique Chords: > 10
Unique Notes: > 20
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Tags

Baroque
Prelude
Hdawg44
0:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 3 5 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 3 5 7 100%
 
Händel: Sonata 10, Op. I, HWV 368 Andante
hillaby
2:06 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
 
Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
Jazzy+Arabic+Baroque
SQUID
0:42 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Piano		 Treble 23 15 1 5 100%
Bass 14 11 1 2 71%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Piano		 Treble 23 15 1 5 100%
Bass 14 11 1 2 71%
Bass
Guitar		 Bass 17 0 2 9 67%
English
Horn		 Treble 11 0 3 8 48%
Sitar Treble 11 0 1 6 19%
 
Händel: Sonata 10, Op. I., HWV 368 Andante
hillaby
2:06 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
 
Elisabeth Jacquet de la Guerre Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
Handel's Joshua No. 53 - Shall I in Mamre's Fertile Plain
Anonimasu1
2:48 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
 
Magiskt Äventyr
ikbeneeninja
0:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 5 7 8 96%
Bass 22 7 4 7 98%
Oboe Treble 14 0 4 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 5 7 8 96%
Bass 22 7 4 7 98%
Oboe Treble 14 0 4 6 90%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
Villanos Gaspar SANZ
Guitar Music
0:48 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 5 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 5 1 4 100%
 
J.S.Bach - Well-tempered clavier, Book I, prelude19 (bwv864) for guitar
Daniel Rubin
1:05 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 12 9 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 12 9 7 98%
 
"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)
edward.maurath
4:25 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Harp (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Violoncello (Continuo) Bass 25 0 8 7 100%
Evaneo 15 0 5 6 97%
 
"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)
edward.maurath
0:42 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
Bass 15 0 4 3 71%
Harp Treble 25 25 7 8 83%
Bass 16 1 5 3 71%
Apollo 12 0 4 6 71%
Erato 14 0 3 8 71%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%
 
"Sol dal brando," from "Rinaldo," HWV 7
edward.maurath
2:43 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
Violoncello (Continuo) Bass 19 0 4 5 100%
Alto
as Goffredo		 16 0 5 7 77%
Contrabasses Bass 16 0 1 4 77%
Violini Treble 16 0 1 4 77%
Violoncellos Bass 16 0 1 3 77%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
Seufze, Tränen, Kümmer, Not, from BWV 21
edward.maurath
4:15 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon (Continuo) Bass 21 1 5 5 100%
Oboe Treble 21 1 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon (Continuo) Bass 21 1 5 5 100%
Oboe Treble 21 1 7 6 100%
Organo (Continuo) Treble 22 29 8 4 100%
Soprano 17 0 5 4 55%
 
"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)
edward.maurath
3:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
Harp Continuo Treble 22 28 5 7 100%
Bass 23 34 5 7 100%
Violoncello Continuo Bass 20 0 4 7 100%
Sesto Treble 14 0 3 8 83%
Contrabassi Continuo Bass 9 0 0 4 8%
Violini Treble 9 0 0 6 8%
Violoncelli Continuo Bass 9 0 0 4 8%