Play Along Piano

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Baroque

They Tell Us That Your Mighty Powers Above (Purcell, Arranged For Soprano [or flute] and String Quartet)

shsimon

6:56	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	0	2	4	100%
Viola	11	0	3	3	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	2	4	100%
Viola	11	3	3	98%
Violin-1	16	4	4	98%
Violin-2	12	4	3	98%
Voice	12	3	4	68%

Johannespassion - BWV 245 60 Mein teurer Heiland, laß dich fragen

SkGnam

3:57	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	0	9	3	100%
Organo	20	0	6	5	84%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	9	3	100%
Organo	20	6	5	84%
	19	7	6	98%
	27	5	5	98%
Basso Solo	18	6	6	87%
Alti	10	3	4	44%
Bassi	13	2	3	44%
Soprani	8	1	4	44%
Tenori	9	1	4	44%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

14 Canons (Arranged for String Quartet and Orchestra)

Arianna2001

6:01	Est. Play Time
139	Measures
	1,824Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
	17	8	0	2	95%
Violoncello (Solo Cello - Quartet)	17	0	2	4	88%
Viola (Solo Viola - Quartet)	18	0	3	5	78%
Violin I (Solo 1st Violin - Quartet)	24	0	7	7	71%
Violin II (Solo 2nd Violin - Quartet)	23	0	6	6	59%
Contrabass	17	0	2	4	45%

Die Sieben Worte Jesu Christi am Kreuz

Presently42

16:34	Est. Play Time
376	Measures
	2,041Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
Tenor I	14	0	4	9	42%
Vox suprema instrumentalis	14	0	5	6	36%
Altus instrumentalis	15	0	5	6	35%
Altus	11	0	3	9	34%
Cantus	15	0	6	9	31%
Bassus	16	0	6	9	30%
Tenor instrumentalis II	10	0	2	6	16%
	9	0	2	5	16%
Bassus instrumentalis	15	0	5	6	16%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238

edward.maurath

3:45	Est. Play Time
56	Measures
	1,423Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
Soprano	14	0	2	7	89%
	14	0	2	7	80%
Tenor	12	0	1	7	79%
	13	0	1	7	88%
Organ	19	32	3	7	87%
Organ	19	19	2	7	84%
Violin 2	12	0	2	6	75%
	16	0	2	7	84%
Continuo	16	0	1	7	77%
	19	0	2	7	81%
Cello Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violone Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violin 1	17	0	3	7	80%
	13	0	2	7	68%
Viola	16	0	1	7	79%
	12	0	1	7	70%
Bass	13	0	0	7	68%
	15	0	2	6	73%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%