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Clef: BassBass
Measures: 35 - 60
Unique Chords: 1-2
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Baroque
Fugue in D dur con piano et l`organo
pt.harasimiuk1
1:48 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 6 6 90%
Bass 14 1 1 3 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 6 6 90%
Bass 14 1 1 3 65%
 
Lost Woods (Piano Fugue)
joyce005
0:40 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 0 5 97%
Bass 15 1 0 3 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 0 5 97%
Bass 15 1 0 3 94%
 
Adagio in G Major - J. S. Bach, BWV 968
Musemeister
3:24 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 25 42 9 10 99%
Bass 38 2 17 8 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 25 42 9 10 99%
Bass 38 2 17 8 83%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
Ave Maria (Bach/Gounod) for violin and piano
Jaime Arturo Sánchez
2:17 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 4 2 100%
Bass 19 1 5 6 51%
Violín Treble 14 0 1 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 4 2 100%
Bass 19 1 5 6 51%
Violín Treble 14 0 1 6 90%
 
HWV1A2N28 - Ob dein Mund wie Plutons Rachen
edward.maurath
5:23 Est. Play
Time
49 Measures
1,182Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 4 3 96%
Oboe
1		 Treble 16 0 3 6 95%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 4 3 96%
Oboe
1		 Treble 16 0 3 6 95%
Cembalo Continuo Treble 15 20 4 6 77%
Bass 20 2 4 3 89%
Oboe
2		 Treble 15 0 3 5 89%
Viola 15 0 0 3 80%
Violin
1		 Treble 19 0 1 6 80%
Violoncello Continuo Bass 15 0 1 3 80%
Violone Continuo Bass 15 0 1 3 80%
Violin
2		 Treble 18 0 2 5 77%
Tenor
as Fernando		 15 0 4 8 55%
 
Canon in D
modulusshift
1:52 Est. Play
Time
57 Measures
1,998Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 13 1 0 2 100%
Violoncello Bass 6 0 0 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 13 1 0 2 100%
Violoncello Bass 6 0 0 1 100%
Violin Treble 21 0 2 6 96%
Treble 21 0 2 6 93%
Treble 21 0 2 6 89%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
invencion 16
Juan Cane
1:24 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 2 4 100%
Bass 18 1 2 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 2 4 100%
Bass 18 1 2 5 98%
 
Canon Pipe Organ
Classical Music Central
3:46 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
8'
Diapason		 Treble 19 24 2 6 100%
Bass 17 12 0 6 94%
16'
Diapason		 Bass 7 0 0 1 85%
16'
String		 Bass 6 0 0 1 85%
8'
Crescendo		 Treble 14 5 2 5 28%
Bass 14 2 1 4 25%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
Aria POMERANIAE from Harp of Orpheus
Piotr Tomasz Harasimiuk
4:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 16 0 1 6 94%
Bass 14 2 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 16 0 1 6 94%
Bass 14 2 0 5 100%
 
Minuet in D minor
songwriter X
2:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 0 3 4 100%
Bass 15 1 3 4 100%
Traverso Treble 15 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 0 3 4 100%
Bass 15 1 3 4 100%
Traverso Treble 15 0 3 4 100%
 
Frescobaldi: "Toccata cromaticha per l'Elevatione" (1635)
SpaceGuru5
6:20 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 0 8 6 91%
Treble 21 0 8 6 91%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 0 8 6 91%
Treble 21 0 8 6 91%
Treble 21 0 8 6 91%
Bass 22 0 8 6 92%
Bass 22 0 8 6 92%
Bass 10 1 1 5 15%
Bass 10 1 1 5 15%
Bass 22 0 8 6 92%
Bass 10 1 1 5 15%