Active Filters:
Measures: 20 - 35
Participation: 80%-99%
Play Time: 1:30 - 2:10
Unique Durations: 4-5
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Baroque
Fugue in G minor
Thomas-S
1:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
 
King of the fairies
frnx
1:36 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 15 0 1 5 100%
Treble 10 0 0 3 96%
Violoncello Bass 13 2 1 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 15 0 1 5 100%
Treble 10 0 0 3 96%
Violoncello Bass 13 2 1 4 96%
 
Elisabeth Jacquet de la Guerre 2e Courante
pental
1:30 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
 
Choralle
randompeepsrs1
2:00 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 6 93%
Soprano Treble 15 0 2 6 87%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 6 93%
Soprano Treble 15 0 2 6 87%
Tenor Treble 14 0 3 6 87%
Bass Bass 12 0 2 4 83%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
HWV56N05Y1742 - Mesiah - Thus saith the Lord
edward.maurath
1:40 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
Viola 10 0 0 3 94%
Violin
I		 Treble 14 0 2 3 94%
Violin
II		 Treble 13 0 3 3 94%
Violone Bass 18 0 4 3 94%
BC
LH		 Bass 18 20 5 5 90%
BC
RH		 Treble 16 18 5 4 61%
 
HWV56N37 - The Lord gave the word
edward.maurath
1:32 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 39 1 4 92%
Bass 9 19 0 4 92%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 39 1 4 92%
Bass 9 19 0 4 92%
Cello Bass 12 0 0 4 92%
Violone Bass 12 0 0 4 92%
Viola 10 0 0 5 88%
Vln
I		 Treble 16 0 1 7 88%
Vln
II		 Treble 16 0 1 5 88%
Bassi Bass 11 0 0 6 84%
Tenori 10 0 1 6 84%
Alti 8 0 0 6 80%
Soprani 10 0 1 6 80%
 
HWV56N05Y1741 - Messiah - Thus saith the Lord
edward.maurath
1:39 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
Viola 10 0 0 5 94%
Violin
I		 Treble 16 0 3 7 94%
Violin
II		 Treble 13 0 3 5 94%
Harpsichord Treble 21 33 6 7 85%
Bass 18 18 5 7 91%
Basso Bass 13 0 3 6 88%