Play Along Piano

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Baroque

Greensleeves to a ground

Markus29200

5:08	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte à bec Ténor		14	0	0	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte à bec Ténor		14	0	0	6	100%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		8	0	0	3	19%
		4	0	0	1	38%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		8	0	0	3	19%
		4	0	0	1	38%
		9	0	0	4	23%
		8	0	0	3	27%
B.c.		19	0	3	4	100%
Violino I		22	0	5	6	100%
Oboe I		14	0	2	6	96%
Viiolino		22	0	5	6	92%
Oboe II		12	0	0	5	77%
Taille		11	0	0	5	77%
Viola		13	0	1	5	73%
Violino II		12	0	0	5	73%
Corno		5	0	0	1	38%

Hallelujah Chorus, Messiah, Guitar Quartet in G

PreludeAndFugue

3:00	Est. Play Time
91	Measures
	1,082Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III		13	0	1	8	98%
IV		12	0	2	8	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III		13	0	1	8	98%
IV		12	0	2	8	97%
II		14	0	2	8	92%
I		12	0	0	8	90%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

Hallelujah Chorus

PreludeAndFugue

3:02	Est. Play Time
91	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III		13	0	1	8	98%
IV		10	0	2	8	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III		13	0	1	8	98%
IV		10	0	2	8	97%
II		14	0	2	8	92%
I		12	0	0	8	90%

Canon in D Major (String Ensemble and Continuo Arrangement)

Arianna2001

6:02	Est. Play Time
113	Measures
	2,470Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		13	26	0	3	100%
		11	1	0	2	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		13	26	0	3	100%
		11	1	0	2	100%
		6	0	0	2	100%
Contrabass		6	1	0	2	100%
Contrabasses		6	1	0	2	100%
Solo Viola (A)		11	0	0	3	100%
Tutti Violas Pizz and Arco (Div) (B)		11	1	0	2	100%
Violoncello		6	1	0	2	100%
Violoncellos		6	1	0	2	100%
Violin		23	9	2	7	96%
		23	9	2	7	93%
		23	9	2	7	89%
1st Violins		23	9	2	7	96%
2nd Violins		23	9	2	7	93%
3rd Violins		23	9	2	7	89%
Viola		11	1	0	2	15%
Violas		11	1	0	2	15%

Puer natus in Bethlehem à 8 - Michael Altenburg

wooddm

2:14	Est. Play Time
116	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	1	5	88%
		10	0	2	5	86%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	1	5	88%
		10	0	2	5	86%
Alto		7	0	2	5	82%
		8	0	1	5	76%
Baritone		11	0	1	4	82%
Tenor		8	0	1	5	76%
		11	0	1	5	76%
Bass		12	0	0	5	76%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
Double Bass Continuo		16	0	2	4	94%
Violin 1		20	0	2	5	94%
Violincello Continuo		17	0	2	4	94%
Viola		17	0	2	5	93%
Violin 2		18	0	3	5	93%
Bassoon Continuo		17	0	2	4	89%
Bass as Clodomiro		16	0	3	5	65%
Oboe		12	0	0	5	29%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo		24	71	5	8	85%
		25	50	6	8	97%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo		24	71	5	8	85%
		25	50	6	8	97%
Violoncello (Continuo)		18	0	4	7	53%
Violin		18	0	4	7	45%
		17	0	4	7	45%
Contrabassi (Continuo)		18	0	4	6	44%
Violoncelli (Continuo)		18	0	4	6	44%
Armida (Soprano)		14	0	3	8	43%
Viola		14	0	4	4	43%
Oboe		12	0	0	7	30%
		13	0	2	7	30%
Bassoon (Continuo)		14	0	0	6	27%

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	28	4	6	97%
		21	31	5	7	97%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	28	4	6	97%
		21	31	5	7	97%
Violoncello Continuo		19	0	3	7	97%
Cleopatra		15	0	3	7	80%
Cesare		13	0	4	7	74%
Violini 1		21	0	2	6	63%
Oboe 1		21	0	2	5	59%
Violini 2		20	0	1	6	57%
Oboe 2		20	0	1	5	53%
Violoncelli Contnuo		15	0	1	6	48%
Contrabassi Continuo		15	0	1	6	46%
Fagotto Continuo		13	0	0	5	38%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	31	5	5	62%
		26	50	8	5	90%
Harp		17	18	3	5	45%
		25	61	8	5	90%
Continuo		20	0	5	5	90%
Violino solo		22	0	6	6	85%
Cleopatra		16	0	5	5	67%
Violini		17	0	1	5	38%
Celli		12	0	0	5	35%
Kontrebaß		12	0	0	5	35%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		22	61	13	6	96%
		19	33	9	5	92%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		22	61	13	6	96%
		19	33	9	5	92%
Violoncello (Continuo)		16	0	9	4	92%
Violini 1		14	0	8	6	80%
Violini 2		14	0	8	6	80%
Contrabassi (Continuo)		14	0	8	4	73%
Violoncelli (Continuo)		14	0	8	4	73%
Soprano as Eurilla		12	0	8	6	68%
Bassoon (Continuo)		9	0	0	3	42%
Bassoon (Viole)		8	0	0	4	42%
Oboe 1		11	0	0	4	42%
Oboe 2		11	0	0	4	42%
Violas		8	0	0	4	42%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	82	10	7	98%
		19	7	6	5	81%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	82	10	7	98%
		19	7	6	5	81%
Violini Tutti		21	0	5	7	76%
Cleopatra		15	0	4	6	62%
Violoncello Continuo		18	0	4	5	61%
Oboe		12	0	1	7	59%
Contrabassi Continuo		17	0	2	5	51%
Violoncelli Continuo		17	0	2	5	51%
Bassoon Continuo		15	0	0	5	44%
Viole		10	0	0	5	34%
Bassoon Viola		10	0	0	5	16%

"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:19	Est. Play Time
73	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		23	43	7	8	99%
		27	19	5	5	96%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)		23	43	7	8	99%
		27	19	5	5	96%
Oboe		11	0	0	7	79%
		10	0	0	5	79%
Violins I		11	0	0	7	79%
Violins II		10	0	0	5	79%
Soprano as Eurilla		14	0	3	8	75%
Bassoon with viola		9	0	0	5	25%
Bassoon (Continuo)		9	0	0	5	25%
Contrabassi (Continuo)		9	0	0	5	25%
Viola		9	0	0	5	25%
Violoncelli (Continuo)		9	0	0	5	25%
Violoncello (Continuo)		9	0	0	5	25%

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