Play Along Piano

Tags

Baroque

Eleazart 4

4:18	Est. Play Time
174	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	25	37	9	6	94%
	9	0	0	1	4%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano	25	37	9	6	94%
	9	0	0	1	4%
	29	27	9	6	99%
Trompeta piccolo	22	0	8	5	64%

Schütz: Selig sind die Toten (WIP)

AymericHM

5:04	Est. Play Time
218	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

Trio Sonata in D minor (Opus 12)

schoutens

5:03	Est. Play Time
152	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	27	1	10	7	97%
Violoncello	29	1	12	8	92%
Viola	26	1	11	8	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	27	1	10	7	97%
Violoncello	29	1	12	8	92%
Viola	26	1	11	8	89%

Sonata for Two Violins in G Major - J.-M. Leclair, Op. 3, No. 1

Musemeister

16:55	Est. Play Time
250	Measures
	1,078Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		31	2	11	7	100%
		24	2	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		31	2	11	7	100%
		24	2	6	8	100%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
Oboe I	10	0	1	2	67%
Oboe II	7	0	0	3	66%
Continuo.	22	0	4	3	59%
Flute I	10	0	1	2	51%
Flute II	7	0	0	3	50%
Soprano amp;amp; Alto	11	21	1	2	49%
Tenor amp;amp; Bass	14	28	2	3	49%
Violas	6	0	0	2	41%
Violino I	10	0	1	2	41%
Violino II	8	0	0	3	40%
Violoncellos	13	0	2	3	39%

Buxtehude - Trio Sonata No.1 in F. {Professional production full score.} Unfinished.

Jamie Holdham

1:36	Est. Play Time
208	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino.	16	0	3	9	100%
Harpsichord	23	44	8	7	94%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino.	16	0	3	9	100%
Harpsichord	23	44	8	7	94%
	21	2	5	7	90%
Viola da gamba.	15	0	4	7	92%
Cembalo.	20	0	4	8	89%

Arcangelo Corelli: Sonata da Chiesa in F Major, Op. 3, No. 1

SilverMaple

5:09	Est. Play Time
157	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	4	8	100%
Viola	19	0	3	8	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	4	8	100%
Viola	19	0	3	8	98%
Continuo	20	1	4	7	94%
	19	0	4	4	15%

Concerto No. 1 For Cello Mvmt. 3

DrThorg

5:26	Est. Play Time
164	Measures
	1,844Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	22	1	4	4	100%
Violas	11	1	2	3	65%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	22	1	4	4	100%
Violas	11	1	2	3	65%
Violoncello	20	0	1	6	50%
Violins 1	19	1	3	5	45%
Violins 2	11	1	1	5	45%
Double Basses	10	0	0	3	43%

Concerto Grosso No. 3 in C Minor - A. Corelli, Op. 6, No. 3

Musemeister

16:01	Est. Play Time
236	Measures
	2,681Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I Concertino	25	0	9	10	100%
Violino II Concertino	26	0	10	10	97%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I Concertino	25	0	9	10	100%
Violino II Concertino	26	0	10	10	97%
Violoncello Concertino	30	0	11	8	92%
Continuo	26	141	10	7	91%
	27	0	9	8	83%
Viola	18	0	6	8	85%
Violino I Ripieno	25	0	9	10	84%
Violino II Ripieno	27	0	11	10	84%
Basso	27	0	9	8	83%

Chromatic Prelude and Fugue in D minor (Opus 30)

schoutens

4:48	Est. Play Time
183	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	29	10	13	7	89%
	26	17	12	7	92%
	21	2	10	7	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	29	10	13	7	89%
	26	17	12	7	92%
	21	2	10	7	73%

Prelude and Fugue in F# minor (Opus 18)

schoutens

6:55	Est. Play Time
256	Measures
	2,585Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	16	17	7	94%
		33	41	14	7	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	16	17	7	94%
		33	41	14	7	96%

Aria: "Nun mögt ihr stolzen Feinde schrecken" (BWV 248, Part 6)

aeolus

17:09	Est. Play Time
177	Measures
	2,946Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	37	156	19	3	100%
Violoncello	28	0	11	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	37	156	19	3	100%
Violoncello	28	0	11	3	100%
Oboe d'amore I	24	0	9	4	97%
Oboe d'amore II	21	0	7	5	95%
Tenor Solo	19	0	7	4	61%

Die Sieben Worte Jesu Christi am Kreuz

Presently42

16:34	Est. Play Time
376	Measures
	2,041Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
Tenor I	14	0	4	9	42%
Vox suprema instrumentalis	14	0	5	6	36%
Altus instrumentalis	15	0	5	6	35%
Altus	11	0	3	9	34%
Cantus	15	0	6	9	31%
Bassus	16	0	6	9	30%
Tenor instrumentalis II	10	0	2	6	16%
	9	0	2	5	16%
Bassus instrumentalis	15	0	5	6	16%