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Unique Chords: 7-10
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Baroque
J.P. Rameau, Suite en Sol, L'enharmonique
pental
10:26 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 10 10 8 99%
Treble 42 7 14 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 10 10 8 99%
Treble 42 7 14 8 96%
 
K.380, Domenico Scarlatti
PreludeAndFugue
4:52 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 9 8 8 98%
Treble 28 27 9 8 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 9 8 8 98%
Treble 28 27 9 8 98%
 
Lamento della ninfa - Monteverdi
Raphaël Batôt
3:27 Est. Play
Time
138 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 19 9 4 3 100%
Bass 5 0 0 1 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 19 9 4 3 100%
Bass 5 0 0 1 100%
Soprano Treble 12 0 2 3 80%
Ténor Treble 9 0 2 3 27%
Treble 7 0 0 3 33%
Basse Bass 9 0 0 3 31%
 
HWVA3N15 - "Se Fiera belva"
edward.maurath
6:18 Est. Play
Time
71 Measures
1,346Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
Cembalo Continuo Treble 17 8 5 6 65%
Bass 23 34 7 8 100%
Contrebasso Continuo Bass 20 0 5 5 91%
Violini Treble 28 0 9 5 91%
Violoncello Continuo Bass 20 0 5 5 90%
Castrato Alto
as Bertarido		 15 0 5 5 66%
Bassoon Continuo Bass 21 0 5 4 65%
Viola 14 0 1 5 42%
 
Voluntary IV Opus 7 by John Stanley
ChurchOrganist
6:17 Est. Play
Time
137 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 37 7 14 9 97%
Bass 26 1 9 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 37 7 14 9 97%
Bass 26 1 9 7 99%
 
Elisabeth Jacquet de la Guerre Chaconne L'Inconstante
pental
3:56 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 8 6 7 98%
Bass 33 0 8 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 8 6 7 98%
Bass 33 0 8 7 97%
 
E pur'io torno
HoltWasHere
3:52 Est. Play
Time
183 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 69 9 8 100%
Bass 22 9 3 6 100%
Voice Treble 15 0 3 8 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 69 9 8 100%
Bass 22 9 3 6 100%
Voice Treble 15 0 3 8 77%
 
Orchestral Suite No. 2 in B minor BWV 1067- Minuet and Badinerie
songwriter X
4:10 Est. Play
Time
128 Measures
1,345Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 20 0 6 5 100%
Bass 18 0 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 20 0 6 5 100%
Bass 18 0 5 6 100%
Vibraphone Treble 26 24 6 4 100%
Treble 21 8 6 4 100%
Solo Treble 22 0 7 5 100%
Xylophone Treble 26 1 8 6 100%
Glockenspiel Treble 24 1 8 5 69%
 
Classicoroque
The Jaze Master
6:39 Est. Play
Time
168 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 23 7 9 100%
Bass 24 10 4 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 23 7 9 100%
Bass 24 10 4 7 99%
 
Giovanni Zamboni: Fuga from Sonata 7
H. Gürtler
4:16 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Erzlaute Treble 32 8 11 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Erzlaute Treble 32 8 11 8 100%
 
J.P. Rameau, Suite en Sol, Les Triolets
pental
3:28 Est. Play
Time
83 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 10 7 5 100%
Treble 25 4 3 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 10 7 5 100%
Treble 25 4 3 5 90%
 
Empio, diro, tu sei, from HWV 17, (1724)
edward.maurath
4:44 Est. Play
Time
64 Measures
1,120Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
Celli Bass 27 0 8 6 100%
Continuo Bass 27 0 8 6 100%
Kontrebaß Bass 27 0 8 6 100%
Violini Treble 24 0 12 4 82%
Cesare Treble 16 0 6 6 65%
 
"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
3:51 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
Harp Continuo Treble 20 18 5 4 100%
Bass 21 13 4 4 100%
Violoncello Continuo Bass 20 0 4 4 100%
Contrabassi Continuo Bass 17 0 3 4 93%
Violini Treble 19 0 5 3 93%
Violoncelli Contniuo Bass 18 0 3 4 93%
Cornelia 14 0 4 7 76%
 
Cesare, "Non e si vago e bello" from HWV 17, (1724)
edward.maurath
4:10 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
Harpsichord Treble 20 8 6 4 100%
Bass 22 17 6 4 100%
Celli Bass 21 0 5 4 100%
Continuo Bass 21 0 5 5 100%
Kontrebaß Bass 21 0 5 4 100%
Violini Treble 14 4 1 5 90%
Cesare 14 0 3 5 79%
Violas 11 0 0 4 16%
 
Bach: Harpsichord Concerto Number 3 in D Major, BWV 1054
edward.maurath
18:06 Est. Play
Time
391 Measures
5,870Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
First Violin Treble 28 0 11 9 94%
Second Violin Treble 23 0 8 7 93%
Viola 22 0 9 8 91%
Violoncello Continuo Bass 27 0 9 9 84%
Violone Continuo Bass 24 0 8 9 84%
 
Harpsichord Concerto Number 3 in D Major, BWV 1054
edward.maurath
18:06 Est. Play
Time
391 Measures
5,944Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
First Violin Treble 28 0 11 9 94%
Second Violin Treble 23 0 8 7 93%
Viola 22 0 9 8 91%
Violoncello Continuo Bass 27 0 9 9 84%
Violone Continuo Bass 24 0 8 9 84%
 
HWV56N40 - Why do the nations? - with da capo repeat
edward.maurath
6:31 Est. Play
Time
109 Measures
3,053Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
Contrabass Bass 21 0 6 4 100%
Violoncello Continuo Bass 22 1 6 4 100%
Violin
I		 Treble 27 0 9 6 99%
Viola 23 0 6 5 98%
Violin
II		 Treble 25 0 7 5 97%
Organo Treble 21 65 7 6 91%
Orgono Bass 20 43 7 4 90%
Basso Bass 16 0 5 9 73%