Play Along Piano

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Baroque

Ciacona in E Minor by Dieterich Buxtehude

ChurchOrganist

5:10	Est. Play Time
125	Measures
	1,615Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	2	8	8	94%
	23	2	6	7	96%
	12	0	3	6	65%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	2	8	8	94%
	23	2	6	7	96%
	12	0	3	6	65%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
Basso Continuo	17	0	6	7	100%
Violoncello	17	0	6	7	100%
Contrabass	16	0	6	7	97%
Violins	19	0	6	7	97%
Mago as bass	12	0	3	7	75%
Viola	7	0	3	5	15%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
Cello	20	0	5	3	100%
Kontrebaß	20	0	5	2	89%
Violas	18	0	4	4	85%
Vln 1	22	0	6	6	85%
Vln 2	20	0	6	3	85%
Tenor as Jupiter	12	0	3	7	78%

xerxe's crude furie

StJohn Woollacott

2:11	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	5	5	96%
Violin	24	0	5	6	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	5	5	96%
Violin	24	5	6	90%
	17	2	5	90%
Viola	15	1	5	90%
Xerxe	14	3	7	78%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes

edward.maurath

6:34	Est. Play Time
132	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
Organ Continuo	27	78	8	7	93%
	28	18	9	7	95%
Violoncello Continuo	26	0	8	7	95%
Alto as Ino	13	0	4	7	67%
Double Bass Continuo	17	0	3	5	16%
Solo Violoncello	15	0	3	7	11%
Violins	9	0	0	5	7%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
Violoncello Continuo	19	0	3	7	97%
Cleopatra	15	0	3	7	80%
Cesare	13	0	4	7	74%
Violini 1	21	0	2	6	63%
Oboe 1	21	0	2	5	59%
Violini 2	20	0	1	6	57%
Oboe 2	20	0	1	5	53%
Violoncelli Contnuo	15	0	1	6	48%
Contrabassi Continuo	15	0	1	6	46%
Fagotto Continuo	13	0	0	5	38%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
Harp Continuo	20	18	5	4	100%
	21	13	4	4	100%
Violoncello Continuo	20	0	4	4	100%
Contrabassi Continuo	17	0	3	4	93%
Violini	19	0	5	3	93%
Violoncelli Contniuo	18	0	3	4	93%
Cornelia	14	0	4	7	76%

"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

3:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
Violoncello (Continuo)	22	0	7	10	100%
Basso as Tirenio	15	0	4	7	71%
Contrabassi (Continuo)	18	0	5	7	58%
Violini	20	0	4	8	58%
Violoncelli (Continuo)	19	0	5	7	58%

"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)

edward.maurath

0:42	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
	15	0	4	3	71%
Harp	25	25	7	8	83%
	16	1	5	3	71%
Apollo	12	0	4	6	71%
Erato	14	0	3	8	71%

"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)

edward.maurath

4:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Harp (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Violoncello (Continuo)	17	0	4	4	80%
Esilena	15	0	4	7	76%
Violins 1	16	0	0	6	68%
Violins 2	12	0	0	5	68%
Contrabass (Continuo)	12	0	0	4	51%
Contrabasses (Continuo)	12	0	0	4	51%
Violoncellos (Continuo)	12	0	0	4	51%

HWV17A3N07Y1724vEJM Cesare, "Aure, deh, per pieta" in F Major

edward.maurath

15:34	Est. Play Time
190	Measures
	1,986Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	53	8	8	91%
	28	43	9	8	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	53	8	8	91%
	28	43	9	8	98%
Continuo	25	0	8	8	98%
Vln 1	21	0	5	8	93%
Vln 2	21	0	7	8	92%
Violas	18	0	5	8	82%
Celli	23	0	7	8	81%
Kontrebaß	23	0	7	8	81%
Cesare	13	0	4	7	72%