Play Along Piano

Tags

Baroque

Fugue in G minor

Thomas-S

1:47	Est. Play Time
21	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	7	5	97%
	12	3	5	90%
	21	5	5	95%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	7	5	97%
	12	3	5	90%
	21	5	5	95%

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

Bartók forever

3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Venice

kozmaf27

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	15	6	3	93%
	14	8	3	3	100%
Violin	14	4	4	5	76%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

Crucifixus (for 8 voices / pour 8 voix)

leol91417

3:21	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	0	4	5	93%
	12	0	4	5	95%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	4	5	93%
	12	4	5	95%
Ténor	14	5	5	93%
	14	5	6	90%
Garçon Alto	10	3	5	78%
	11	3	6	83%
Garçon soprano	10	4	5	71%
	10	3	5	78%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

BWV248N6 "Und sie gebar ihren ersten Sohn”

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100%
	9	0	2	3	100%
Bassoon	9	0	2	3	100%
Evangelista	16	0	4	3	83%

They Tell Us That Your Mighty Powers Above (Purcell, Arranged For Soprano [or flute] and String Quartet)

shsimon

6:56	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	0	2	4	100%
Viola	11	0	3	3	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	2	4	100%
Viola	11	3	3	98%
Violin-1	16	4	4	98%
Violin-2	12	4	3	98%
Voice	12	3	4	68%

Zelenka - Requiem in D - Recordare - Ingemisco (Dies Irae) (ZWV 46)

johnsmith1

3:32	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	7	5	97%
Chalumeau	16	0	6	8	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	7	5	97%
Chalumeau	16	6	8	90%
Violin	21	6	8	75%
Contralto	12	4	5	55%
Tenor	9	2	5	26%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%