Play Along Piano

Tags

Baroque

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

Crucifixus (for 8 voices / pour 8 voix)

leol91417

3:21	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	0	4	5	93%
	12	0	4	5	95%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	4	5	93%
	12	4	5	95%
Ténor	14	5	5	93%
	14	5	6	90%
Garçon Alto	10	3	5	78%
	11	3	6	83%
Garçon soprano	10	4	5	71%
	10	3	5	78%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

HWV1 - So ben che regnante più degna di te - g minor

edward.maurath

1:56	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	26	6	5	100%
	18	15	4	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	26	6	5	100%
	18	15	4	5	100%
Contrabass Continuo	17	0	4	5	100%
Violoncello Continuo	17	0	4	5	100%
Tenor as Fernando	15	0	5	5	67%

Choral in D minor (Opus 24a)

schoutens

1:11	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	0	7	6	100%
	21	0	8	6	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	7	6	100%
	21	8	6	100%
Alto	9	2	6	100%
Bass	15	5	5	100%
Soprano	14	5	6	100%
Tenor	11	4	5	100%

The Baroque Rake

Coolguyzack

1:12	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	15	0	5	4	100%
Harpsichord	17	20	5	4	99%
	11	10	2	4	99%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	15	0	5	4	100%
Harpsichord	17	20	5	4	99%
	11	10	2	4	99%

Aria in g minor

BeatsByJay

0:48	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	4	5	46%
	11	0	3	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	4	5	46%
	11	0	3	3	100%
	16	38	8	3	100%
Violin	18	0	10	4	100%
Soprano	13	0	5	4	67%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
Contrabasses	22	0	8	7	100%
Violas	21	0	7	6	100%
Violoncellos	25	0	8	7	100%
Vln 1	25	0	9	6	100%
Vln 2	27	0	10	6	100%
Alto	15	0	5	4	87%
Tenor	15	0	5	4	87%
Bass	22	0	11	4	85%
Soprano	19	0	9	5	85%
Oboe	19	0	7	6	74%
	19	0	7	6	74%
Bassoon	23	0	8	5	74%

Sheebeg & Sheemore for Fife Consort

Vincent Canciello

2:26	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Fife I	17	0	0	5	100%
B♭ Fife II	22	0	3	5	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Fife I	17	0	5	100%
B♭ Fife II	22	3	5	98%
B♭ Fife IV	14	2	5	98%
E♭ Fife (Bass)	14	6	5	98%
B♭ Fife III	16	3	5	80%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

Bach, Johann Sebastian : BWV118 O Jesu Christ meins Lebens Licht BWV 118 trans

Haricophile

6:36	Est. Play Time
108	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	14	7	5	99%
	28	3	10	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	14	7	5	99%
	28	3	10	5	100%
Ténor	14	0	4	5	60%
Alto	14	0	5	5	56%
Basse	18	0	6	5	48%
Soprano	7	0	0	4	45%

"Son nata a lagrimar" from HWV 17, Giulio Cesare in Egitto

edward.maurath

6:33	Est. Play Time
40	Measures
	1,153Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
Harpsichord	19	0	5	4	100%
	19	0	5	4	100%
Celli	19	0	5	4	100%
Kontrebaß	19	0	5	4	100%
Violoncello	19	0	5	4	100%
Violas	14	0	4	4	95%
Vln 1	23	54	7	5	95%
Sesto	14	0	5	5	74%
Cornelia	13	0	5	5	72%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
Violoncello (Continuo)	16	0	9	4	92%
Violini 1	14	0	8	6	80%
Violini 2	14	0	8	6	80%
Contrabassi (Continuo)	14	0	8	4	73%
Violoncelli (Continuo)	14	0	8	4	73%
Soprano as Eurilla	12	0	8	6	68%
Bassoon (Continuo)	9	0	0	3	42%
Bassoon (Viole)	8	0	0	4	42%
Oboe 1	11	0	0	4	42%
Oboe 2	11	0	0	4	42%
Violas	8	0	0	4	42%

BWV 245 N 23 - Die Jüden aber schrieen

edward.maurath

4:12	Est. Play Time
94	Measures
	2,187Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli	23	0	11	7	100%
Tenori	22	0	11	6	96%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli	23	0	11	7	100%
Tenori	22	0	11	6	96%
Bassi	19	0	7	7	70%
Bassono Grosso	22	0	9	5	69%
Bassoon Continuo	22	0	9	5	69%
Contrabassi Continuo	21	0	9	5	69%
Flauti	27	0	10	6	67%
Viole	23	0	9	5	67%
Oboe d'amore	19	0	6	6	64%
Violini 2	25	0	10	6	64%
Alti	18	0	6	5	63%
Oboe	22	0	5	6	62%
Violini 1	25	0	9	6	62%
Soprani	18	0	4	5	61%
Harpsichord	22	46	12	7	31%
	15	0	5	5	31%

BWV245N16 - Da Führeten sie Jesum von Kaiphas vor das Richthaus

edward.maurath

5:57	Est. Play Time
80	Measures
	2,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
	23	5	8	6	66%
FlautI TraversI	23	0	8	3	58%
Violin 1	23	0	8	5	58%
Alti	16	0	6	6	56%
Bassono Grosso Continuo	21	0	7	5	56%
Bassoon Continuo	22	0	7	6	56%
Contrabassi Continuo	21	0	7	5	56%
Oboe 1	20	0	7	5	56%
Oboe 2	16	0	6	6	56%
Soprani	20	0	7	5	56%
Violin 2	16	0	6	6	56%
Violoncelli Continuo	22	0	7	6	56%
Tenori	18	0	7	4	55%
Viola	18	0	7	4	55%
Violoncello Continuo	17	0	5	5	48%
Cembalo Continuo	19	43	7	7	41%
	17	0	5	7	41%
Evangelista	16	0	6	5	31%
Pilatus	13	0	5	4	15%

BWV 4 "Wir essen und wir leben wohl"

edward.maurath

1:12	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	17	38	6	4	100%
	21	14	7	6	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	17	38	6	4	100%
	21	14	7	6	100%
Alti	8	0	1	4	100%
Bassi	15	0	5	5	100%
Contrabasses (Continuo)	15	0	5	5	100%
Cornetto col Soprani	11	0	3	3	100%
Soprani	11	0	3	3	100%
Tenori	12	0	3	4	100%
Trombone col Alti	8	0	1	4	100%
Trombone col Tenori	12	0	3	4	100%
Trombone col Bassi	15	0	5	5	100%
Viole	12	0	3	4	100%
Violini 1	11	0	3	3	100%
Violini 2	8	0	1	4	100%
Violoncelli (Continuo)	15	0	5	5	100%