Play Along Piano

Tags

Baroque

PreludeAndFugue

1:56	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	3	4	100%
	14	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	3	4	100%
	14	2	3	100%
	13	3	6	97%
	18	4	5	51%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
Bassoon Continuo	22	0	7	5	99%
Oboe d'amore	27	0	10	5	91%
Violini	27	0	10	5	91%
Violoncello Continuo	21	0	6	5	89%
Alto	17	0	6	6	65%

Hallelujah Chorus, Messiah, Guitar Quartet in G

PreludeAndFugue

3:00	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	0	1	8	98%
IV	12	0	2	8	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
III	13	1	8	98%
IV	12	2	8	97%
II	14	2	8	92%
I	12	0	8	90%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

Canon in D

modulusshift

1:52	Est. Play Time
57	Measures
	1,998Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
Violin	21	0	2	6	96%
	21	0	2	6	93%
	21	0	2	6	89%

J.S. Bach Organ Themes for Strings and Woodwind Quartet

DaPlipsta

3:09	Est. Play Time
65	Measures
	1,383Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi	13	0	2	6	92%
Violoncelli	17	0	5	7	85%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi	13	2	6	92%
Violoncelli	17	5	7	85%
B Clarinet	18	7	9	78%
Flute	17	4	8	78%
Oboe	18	5	8	63%
Violins 2	18	6	8	63%
Violins 1	16	3	7	52%
Violas	20	6	7	49%
Bassoon	18	3	8	43%

Sonata for Saxophone Trio

buddyboothe

2:02	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	11	0	3	6	100%
	15	0	5	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	11	3	6	100%
	15	5	6	100%
Baritone Saxophone	12	0	4	100%
Soprano Saxophone	15	5	6	100%
Tenor Saxophone	11	0	4	100%

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
Basso Continuo	17	0	6	7	100%
Violoncello	17	0	6	7	100%
Contrabass	16	0	6	7	97%
Violins	19	0	6	7	97%
Mago as bass	12	0	3	7	75%
Viola	7	0	3	5	15%

Bach | Prelude and Fugue XXI: Fugue | Mini Flute Choir

Edward Buckland

2:07	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piccolo	21	6	5	100%
Flute	23	8	5	88%
Alto Flute	20	4	4	83%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piccolo	21	6	5	100%
Flute	23	8	5	88%
Alto Flute	20	4	4	83%

Jazzy+Arabic+Baroque

SQUID

0:42	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
Bass Guitar	17	0	2	9	67%
English Horn	11	0	3	8	48%
Sitar	11	0	1	6	19%

They Tell Us That Your Mighty Powers Above (Purcell, Arranged For Soprano [or flute] and String Quartet)

shsimon

6:56	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	0	2	4	100%
Viola	11	0	3	3	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	12	2	4	100%
Viola	11	3	3	98%
Violin-1	16	4	4	98%
Violin-2	12	4	3	98%
Voice	12	3	4	68%

Crucifixus (for 8 voices / pour 8 voix)

leol91417

3:21	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	0	4	5	93%
	12	0	4	5	95%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse	14	4	5	93%
	12	4	5	95%
Ténor	14	5	5	93%
	14	5	6	90%
Garçon Alto	10	3	5	78%
	11	3	6	83%
Garçon soprano	10	4	5	71%
	10	3	5	78%

HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"

edward.maurath

0:16	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100%
	8	4	2	2	100%
Harpsichord	9	3	1	2	100%
	8	4	2	2	100%
Violoncello	5	0	1	2	100%
Flute	7	0	0	3	75%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

Six Variations on La Follia

Vincent Canciello

2:53	Est. Play Time
108	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Fife I	15	0	4	8	100%
B♭ Fife II	15	0	2	8	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Fife I	15	4	8	100%
B♭ Fife II	15	2	8	96%
B♭ Fife IV	13	3	8	94%
E♭ Fife (Bass)	13	4	8	94%
B♭ Fife III	12	3	8	90%