Play Along Piano

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Brahms

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Marienlieder, Op.22 - 1. Der englische Gruß - Brahms

Jwagner

2:40	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	2	3	99%
Tenor	12	0	4	5	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	2	3	99%
Tenor	12	4	5	98%
Soprano	12	3	3	96%
Bass	12	3	4	84%

Brahms 6 Gesange Op.3 #3 Liebe und Frühling II for Strings Orchestra

negiwo

1:20	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
Violins 2	20	3	8	6	83%
Viola	19	3	6	7	80%
Contrabass	11	1	3	5	63%

Johannes BRAHMS - Schicksalslied Op. 54, le Chant du Destin

fredipi

15:51	Est. Play Time
409	Measures
	3,155Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	47	256	26	10	87%
	52	193	26	7	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	47	256	26	10	87%
	52	193	26	7	90%
Ténor	20	0	9	6	58%
Alto	20	0	10	6	57%
Basse	23	1	8	6	57%
Soprano	24	0	12	6	54%

Johannes BRAHMS - Sechs Quartette, Op.112 - I Sehnsucht

fredipi

5:36	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	34	54	15	6	93%
	37	29	14	8	91%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	34	54	15	6	93%
	37	29	14	8	91%
Basse	19	0	6	6	83%
Ténor	20	0	10	6	82%
Alto	17	0	6	6	76%
Soprano	16	0	7	5	76%

Geistliches Lied, Op. 30 Brahms - Soprani

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Alface Book [Revised 2018]

n yamato

3:14	Est. Play Time
65	Measures
	2,796Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhodes	41	48	28	11	98%
	33	36	15	8	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhodes	41	48	28	11	98%
	33	36	15	8	100%
Bass	28	2	14	9	100%
Muted Guitar	19	5	10	7	95%
Voice	19	0	11	9	95%
Marimba	35	26	19	4	94%
Flute	26	0	8	8	87%
Nylon Guitar	36	127	20	7	87%
Cello	29	1	14	9	81%
Electric Rhythm Guitar (Callope Lead)	36	102	19	8	81%
Strings	32	22	15	7	76%
Steelpan	24	1	9	6	28%

Marienlieder, Op.22 - 4. Der Jäger - Brahms

Jwagner

1:59	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	2	5	95%
Alto	9	0	4	4	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	2	5	95%
Alto	9	4	4	94%
Tenor	11	3	5	94%
Bass	11	1	4	92%

Marienlieder, Op.22 - 5. Ruf zur Maria - Brahms

Jwagner

3:39	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	5	3	100%
Bass	13	0	4	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	5	3	100%
Bass	13	4	3	100%
Soprano	11	1	5	100%
Tenor	15	7	3	100%

Geistliches Lied, Op. 30 Brahms - Basses

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
Bass	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Alti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
Fl.	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Zu Rauch

matthius

0:22	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	1	2	100%
Bass	10	0	1	2	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	1	2	100%
Bass	10	1	2	91%
Alto	12	1	2	82%
Tenor	10	1	2	73%

Geistliches Lied, Op. 30 Brahms - Ténors

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Marienlieder, Op.22 - 3. Marias Wallfahrt - Brahms

Jwagner

1:48	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	4	5	100%
Bass I+II	12	1	1	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	4	5	100%
Bass I+II	12	1	1	5	100%
Soprano	12	0	2	5	100%
Tenor	15	0	4	5	100%

Brahms Johannes - 9 Lieder and Songs Op.32 No.5 - Wehe so willst du mich wieder

fredipi

1:54	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	21	58	12	4	100%
	33	30	18	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	21	58	12	4	100%
	33	30	18	4	100%
Singstimme Voice	14	0	8	5	74%
Voice (Verse 2 cutaway)	4	0	4	1	6%

Marienlieder, Op.22 - 6. Magdalena - Brahms

Jwagner

0:59	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	3	100%
Bass	10	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	4	3	100%
Bass	10	0	3	100%
Soprano	6	0	3	100%
Tenor	9	1	3	100%

Marienlieder, Op.22 - 2. Marias Kirchgang - Brahms

Jwagner

2:12	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	1	4	100%
Tenor	10	0	2	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	1	4	100%
Tenor	10	2	4	100%
Soprano I+II	14	4	4	82%
Bass	3	0	4	31%

Marienlieder, Op.22 - 7. Marias Lob - Brahms

Jwagner

0:41	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	3	100%
Soprano	10	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	2	3	100%
Soprano	10	1	4	100%
Tenor	11	1	3	100%
Bass	12	2	3	83%

Brahms Sextet Goes East II

rostropo

17:58	Est. Play Time
163	Measures
	1,865Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gitarre	35	80	17	9	92%
Bass	29	5	14	6	91%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gitarre	35	80	17	9	92%
Bass	29	5	14	6	91%
Percussion 2 (Kalimba)	34	31	17	7	90%
Percussion 1 (Steel Drums)	41	18	20	7	85%
Melodie 2 (Panflöte)	29	1	13	8	70%
Melodie 3 (Taisho Koto)	28	11	15	8	64%
Melodie 1 (Flöte)	34	0	16	10	58%