Play Along Piano

Tags

Handel

TruuMoo

2:16	Est. Play Time
74	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	6	4	97%
		20	6	1	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	0	6	4	97%
		20	6	1	2	100%

Handel - Trio Sonata VIII (Transcribed for Piano)

Fake Your Death

8:54	Est. Play Time
279	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

Händel - Lascia Ch'io Pianga, for Flute and Cello

Hyeon Kim

3:36	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
Cello	20	0	2	8	89%
Flute	15	0	3	11	89%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
Cello	20	0	5	3	100%
Kontrebaß	20	0	5	2	89%
Violas	18	0	4	4	85%
Vln 1	22	0	6	6	85%
Vln 2	20	0	6	3	85%
Tenor as Jupiter	12	0	3	7	78%

Handel's Joshua No. 53 - Shall I in Mamre's Fertile Plain

Anonimasu1

2:48	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	37	6	8	92%
	20	5	5	8	100%
Baritone	16	0	4	9	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	37	6	8	92%
	20	5	5	8	100%
Baritone	16	0	4	9	77%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

Handel's Joshua No. 4 - O First in Wisdom

Anonimasu1

2:32	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	25	6	8	99%
	21	4	4	8	98%
Baritone	17	0	4	8	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	25	6	8	99%
	21	4	4	8	98%
Baritone	17	0	4	8	81%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
Violas	21	0	10	7	76%
Violins 2	27	0	11	8	75%
Horn in F	22	0	7	8	47%
1.2. Clarinet in B	29	2	10	6	47%
Flute	24	0	10	8	42%
Trumpet in B	24	0	7	8	38%
Oboe	32	0	13	7	36%
Solo Viola	35	14	16	10	27%
Solo cello	32	7	17	10	24%
Timpani	11	0	4	6	12%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
Harpsichord	17	4	6	4	100%
	20	4	6	4	100%
Celli	16	0	5	4	100%
Continuo	16	0	5	4	100%
Contrabasses	15	0	5	4	100%
Violas	14	0	5	4	100%
Vln 1	14	0	5	6	100%
Vln 2	14	0	4	6	100%
Cesare	15	0	6	4	83%

HWV56N24 - Surely He hath bourne our grief

edward.maurath

2:51	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
Organ	16	11	4	7	96%
	22	4	7	8	100%
Cello	22	0	7	8	100%
Contrabass	22	0	7	8	100%
Viola	15	0	4	9	100%
Violin 1	18	0	4	9	100%
Violin 2	13	0	4	8	100%
Alto	9	0	2	8	73%
Bass	15	0	6	9	69%
Soprano	11	0	3	9	69%
Tenor	11	0	3	9	69%

HWV56N39 - Their sound is gone out - (1743)

edward.maurath

1:08	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
Cello Continuo	16	0	2	4	100%
Contrabass	16	0	2	4	100%
Tenor	11	0	2	5	96%