Active Filters:
Composition: Ensemble
Play Time: 2:10 - 3:20
Unique Durations: 1-3
Unique Chords: None
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Handel
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
"D'allor trionfante si" from "Il Pastor Fido," HWV 8
edward.maurath
3:15 Est. Play
Time
60 Measures
1,147Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 61 13 6 96%
Bass 19 33 9 5 92%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 61 13 6 96%
Bass 19 33 9 5 92%
Violoncello (Continuo) Bass 16 0 9 4 92%
Violini 1 Treble 14 0 8 6 80%
Violini 2 Treble 14 0 8 6 80%
Contrabassi (Continuo) Bass 14 0 8 4 73%
Violoncelli (Continuo) Bass 14 0 8 4 73%
Soprano
as Eurilla



 12 0 8 6 68%
Bassoon (Continuo) Bass 9 0 0 3 42%
Bassoon (Viole) 8 0 0 4 42%
Oboe 1 Treble 11 0 0 4 42%
Oboe 2 Treble 11 0 0 4 42%
Violas 8 0 0 4 42%
 
"Sol dal brando," from "Rinaldo," HWV 7
edward.maurath
2:43 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
Violoncello (Continuo) Bass 19 0 4 5 100%
Alto
as Goffredo		 16 0 5 7 77%
Contrabasses Bass 16 0 1 4 77%
Violini Treble 16 0 1 4 77%
Violoncellos Bass 16 0 1 3 77%
 
"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
2:32 Est. Play
Time
107 Measures
2,086Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
Basso Continuo Bass 19 0 2 5 100%
Fagotto (Viole) Bass 21 0 2 4 100%
Oboe 1 Treble 15 0 2 5 100%
Oboe 2 Treble 14 0 4 5 100%
Contrabassi Continuo Bass 14 0 2 3 79%
Viole 11 0 2 4 79%
Violini 1 Treble 13 0 2 4 79%
Violini 2 Treble 11 0 2 4 79%
Violoncelli Continuo Bass 14 0 2 3 79%
Corni re Treble 8 0 0 3 73%
Corni sol Treble 7 0 0 3 72%
Bassi Bass 13 0 2 3 69%
Contralti 9 0 1 4 69%
Soprani 13 0 2 4 69%
Tenori 8 0 2 4 69%
Cleopatra 8 0 0 4 23%
Cesare 9 0 2 4 22%
 
Arrival of the Queen of Sheba for 4 Violins
A-Hsiang
2:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 21 0 7 5 100%
Violins
2		 Treble 22 0 6 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 21 0 7 5 100%
Violins
2		 Treble 22 0 6 4 100%
Violins
3		 Treble 20 0 3 3 78%
Violins
4		 Treble 21 0 4 3 78%