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Unique Durations: 6-7
Unique Accidentals: 3-4
Unique Chords: None
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Handel
Water Music Suite, Air
jlburnett
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 11 0 1 6 100%
Bass 12 0 3 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 11 0 1 6 100%
Bass 12 0 3 6 100%
Bass 10 0 1 6 100%
Double
Bass		 Bass 15 0 3 5 100%
 
Sarabande
Paul Cooper1
6:24 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Treble 16 0 3 6 100%
Treble 15 0 3 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Treble 16 0 3 6 100%
Treble 15 0 3 6 100%
Treble 18 0 4 5 100%
Bass 11 0 2 4 100%
 
02. Behold The Lamb Of God
crize2foi
0:57 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
Bass Bass 15 0 3 7 92%
Tenor Treble 13 0 4 6 92%
 
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
Messiah| No.39: Their Sound Is Gone Out
Pete Alan
1:21 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 4 6 100%
Viola 15 0 3 7 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 4 6 100%
Viola 15 0 3 7 100%
Violin
1		 Treble 22 0 5 9 100%
Violin
2		 Treble 21 0 5 8 100%
Oboe
1		 Treble 16 0 4 8 95%
Soprano Treble 14 0 3 7 95%
Tenor Treble 13 0 3 5 95%
Oboe
2		 Treble 16 0 2 7 92%
Bass Bass 15 0 2 6 87%
Alto Treble 9 0 1 7 84%
 
Messiah| No.12: For Unto Us A Child Is Born
Pete Alan
3:18 Est. Play
Time
99 Measures
4,950Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 19 0 3 6 100%
Violoncellos Bass 19 0 3 6 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Fagott Bass 19 0 3 6 100%
Violoncellos Bass 19 0 3 6 100%
Cembalo Treble 26 113 4 6 92%
Bass 25 68 3 6 96%
Violins Treble 14 0 2 6 77%
Treble 19 0 3 7 81%
Treble 19 0 3 7 81%
Oboe Treble 13 0 2 8 72%
Treble 16 0 2 8 72%
Alto Treble 12 0 2 7 66%
Soprano Treble 13 0 2 7 66%
Tenor Treble 12 0 2 7 61%
Bass Bass 16 0 3 6 58%
 
For Unto Us A Child is Born
Mikey Hare
3:57 Est. Play
Time
99 Measures
1,187Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 19 0 3 7 98%
Treble 19 0 4 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 19 0 3 7 98%
Treble 19 0 4 7 100%
Violoncello Bass 19 0 3 6 100%
Trombone Bass 12 0 2 7 68%
Bass 16 0 3 6 58%
B♭
Trumpet		 Treble 13 0 2 7 66%
Treble 12 0 2 7 66%
 
"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
1:31 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
Harpsichord Treble 10 0 1 3 100%
Bass 14 0 2 3 100%
Oboe Treble 13 0 3 7 100%
Treble 12 0 3 5 100%
Contrabasses Bass 14 0 2 3 100%
Viola 10 0 1 3 100%
Violoncello Bass 14 0 2 3 100%
Vn
1		 Treble 13 0 3 7 100%
Vn
2		 Treble 12 0 3 5 100%
Bass Bass 12 0 2 3 93%
Soprano 12 0 3 6 93%
Tenor 11 0 2 3 93%
Alto 12 0 3 4 87%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%